Saturday Classics – 14102023

This time I am going to give a memory and how I came to remember it, it is a description of of how my mind works – slowly. Please bear with me 🙂

First, I have trouble falling a sleep, often it takes hours. Or, I fall a sleep and wake up in , say, thirty minutes and them stay up, well any case. I spend lots of time in bed letting my thoughts wander. I was thinking few nights ago about what song to choose for to day. Lola, lo, lo la, lola – came to mind. Had to think about who´s song it was, Kinks. That came to me the next day. Then for unknown reason I thought about a movie I saw in 1976 in Australia when I was a teenager. I remember, the ending, the lovely song and that I cried. I kind of remembered that it was sung by Paul Anka. For the life of me, I could not get the song or the movies name to mind. Eventually I fell a sleep.

Next day friends came to visit – like in the old days without a invitation the, impromptu I would say for coffee. So NICE. We talked about sleeping, or being tired really. And I mentioned all the above, still didn’t remember.

Bed time, suddenly out of the blue I remembered the movies name in Finnish. And then google came to help. Päivien kimallus – Love is A Many Splendored Thing from 1955. Original song in the film sung by The Four Aces, but I remembered the version of Paula Anka. It was also very popular as a Finnish version here is a version by Jorma Kääriäinen. I have them both here if you wish to listen how it sounds.

As reported by several reviews of the film, Han Suyin’s “autobiographical novel” told the story of her life as a Eurasian doctor in Hong Kong, and of her love affair with a married, British war correspondent.

Music by Sammy Fain, Lyrics by Paul Francis. “Love Is a Many-Splendored Thing” er. The song was publicized first in the movie, Love Is a Many-Splendored Thing (1955), winning the Academy Award for Best Original Song.

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 07102023

The guitar and melody in this song is beautiful the message meaningful

All in all, this is an anti-war song that centers around the pointlessness and silliness of war while shedding light on the plights of soldiers on the battlefield.

“Brothers in Arms” was released in 1985 as one of the singles from Dire Strait’s best-selling album “Brothers in Arms”. The album not only sold over 30 million copies around the globe but also went on to become one of the greatest albums of all time. It was the recipient of 2 Grammy Awards in 1986

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 30092023

I am looking at vacations in a warm place, I would love to sail away from the darker days…you can always dream.

In this song, David Gray offers a getaway, telling a lady he’d like to sail away with her, putting his heart in her hands. He worked on the song over a number of years, writing and discarding verses along the way. It’s what he calls a “Frankenstein song” because it was cobbled together from so many parts assembled at different times.

This features in the 2001 Robert De Niro movie 15 Minutes and in the film Angel Eyes, released the same year.

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 23092023

September In The Rain – that is what’s happening here now. Raining, really dark and gray, not the same mood as in the song. Two versions of the song Rod’s from 2010 and Guy’s 1937

I don’t know why I love these kinds tunes. Old soul maybe…

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 16092023

I was yesterday watching a music program called, Vain elämää ( just life) were various artist do covers of each others music. The host of the day said a line that resonated with me, I used to listen this song a lot back when… I can’t make you love me.

I had to think a bit before it hit me as to who’s song this was, Bonnie Raitt. Adele has also made a cover of this song, but I do prefer the original. How about you?

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 09092023

We are having a really misty morning, its nearly 11 and all is still under the misty. Don’t see no sun…

So, here are photos from this morning and song to go with them

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 02092023

Harvest moon, we had one last night. Super moon, but here due to the weather it was behind the clouds

Lovely song, I do like it. One of my favorites

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 05082023

Dream, dream. All I have to do is dream.

Lovely song, two beautiful voices – vocal harmony.

And also the version from Glen Campbell -What a Beautiful voice… So gifted in his vocal range and flexibility.

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 22072023

Rest in peace Tony Bennett.

Lovely song, two beautiful voices. Blue Velvet.

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 15072023

I have been listening to Jason Isbell for some time as well as Emmylou Harris. No other reason for this song.

“Tupelo” is a song about the hope people can construct to escape their problems, no matter how false those hopes are.

I haven’t been wasted in a long time
But tonight it feels just fine
Riding home with the windows up
Alone with a plastic cup of real good wine

When I get out of this hole I’m goin’ to Tupelo
There’s a girl out there that’ll treat me fair
You get about a week of spring and the summer is blistering
There ain’t no one from here that’ll follow me there
No, there ain’t no one from here that’ll follow me there

She said there’s nothing left to talk about
At my age I should’ve figured out
Which drawer to put the good knives in
And the wars between the weekend store and the playhouse town

I kept her close, but way too close to me
She never lived up to my memory
Driving fast with the windows down
A past I don’t belong to now, a mystery

I get out of this hole I’m goin’ to Tupelo
There’s a girl out there that will treat me fair
You get about a week of spring and then Summer is blistering
So there ain’t no one from here that’ll follow me there
No, there ain’t no one from here that’ll follow me there

When I get out of this hole I’m goin’ to Tupelo
There’s a girl out there that will treat me fair
Get about a week of spring and the summer is blistering
There ain’t no one from here that’ll follow me there
Well, there ain’t no one from here that’ll follow me there

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 01072023

It’s summertime… we are happy! Summer rain, my grandkids were having so much fun running in the warm summer rain – thus the reason for this song. Happy weekend no matter what the weather.

… Raindrops are falling on my head
And just like the guy whose feet are too big for his bed
Nothing seems to fit
Those raindrops are falling on my head, they keep falling

… So I just did me some talking to the sun
And I said I didn’t like the way he got things done
Sleeping on the job
Those raindrops are falling on my head, they keep falling

… But there’s one thing I know
The blues they send to meet me
Won’t defeat me, it won’t be long
Till happiness steps up to greet me

… Raindrops keep falling on my head
But that doesn’t mean my eyes will soon be turning red
Crying’s not for me
‘Cause I’m never gonna stop the rain by complaining
Because I’m free
Nothing’s worrying me

… It won’t be long till happiness steps up to greet me

… Raindrops keep falling on my head
But that doesn’t mean my eyes will soon be turning red
Crying’s not for me
‘Cause I’m never gonna stop the rain by complaining
Because I’m free
Nothing’s worrying me

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 23062023

It’s summertime… we are happy! Happy Midsummer!

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 17062023

I say an old friend this week and she said she always thought of Depeche Mode when she sees me as I took her to their gig in Helsinki. The reason for this weeks choice.

Their original name was Composition Of Sound. “Depeche Mode” was the title of a French magazine (translated, it means “fast fashion”) that went out of print in 2001. It was chosen because it sounded cool.

In this song, the singer is in a relationship where thoughts and feelings are all that matter. He feels words are unnecessary and can even be harmful, so he prefers to enjoy the relationship in silence. The song was written by the group’s primary songwriter, Martin Gore, with lead vocals by Dave Gahan.

At first, this was a ballad played on an organ. Alan Wilder got the idea to speed up the song. The other members didn’t like the idea, but after some time became convinced. Martin Gore recalled to Mojo magazine September 2012: “The original demo of Enjoy the Silence was very slow and minimal, just me and a harmonium, and Alan (Wilder) had this idea of putting a beat to it. We added the choir chords and (producer) Flood and Alan said, ‘Why don’t you play some guitar over the top?’ That’s when I came up with the riff. I think that’s the only time in our history when we all looked at each other and said, ‘I think this might be a hit.'” (Song Facts)

What I like very much about the song is the lyrics, They are quite dark, but they’re made stronger because, nowadays, noise is everywhere. We need silence. Silence is healing.”

Words like violence
Break the silence
Come crashing in
Into my little world
Painful to me
Pierce right through me
Can’t you understand?
Oh, my little girl

All I ever wanted
All I ever needed
Is here in my arms
Words are very unnecessary
They can only do harm

Vows are spoken
To be broken
Feelings are intense
Words are trivial
Pleasures remain
So does the pain
Words are meaningless
And forgettable

All I ever wanted
All I ever needed
Is here in my arms
Words are very unnecessary
They can only do harm

All I ever wanted
All I ever needed
Is here in my arms
Words are very unnecessary
They can only do harm

All I ever wanted
All I ever needed
Is here in my arms
Words are very unnecessary
They can only do harm

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 10062023

All of Me John Legend

Just because,, Celebrating our 35 the anniversary tomorrow and being together 43 years. I life time of love. Love your curves and all your edges , All your perfect imperfections.. my husband remembered this line… Imperfections being the thing.

What would I do without your smart mouth?
Drawing me in, and you kicking me out
You’ve got my head spinning, no kidding, I can’t pin you down
What’s going on in that beautiful mind?
I’m on your magical mystery ride
And I’m so dizzy, don’t know what hit me, but I’ll be alright

My head’s under water
But I’m breathing fine
You’re crazy and I’m out of my mind

‘Cause all of me
Loves all of you
Love your curves and all your edges
All your perfect imperfections
Give your all to me
I’ll give my all to you
You’re my end and my beginning
Even when I lose, I’m winning
‘Cause I give you all of me
And you give me all of you, oh-oh

How many times do I have to tell you?
Even when you’re crying, you’re beautiful too
The world is beating you down, I’m around through every mood
You’re my downfall, you’re my muse
My worst distraction, my rhythm and blues
I can’t stop singing, it’s ringing in my head for you

My head’s under water
But I’m breathing fine
You’re crazy and I’m out of my mind

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

An other take on sing, sing, sing

“Sing Sing Sing” : version Benny Goodman

The Swingsationals – Sing Sing Sing

Saturday Classics – 20052023

Sing – Travis

Something light and positive for this weekend, I am sitting on the patio at my summer house, and enjoying the sun and listening to the sing, sing, sing from the birds. I could not find a photo of an singer , but here is a bird.

Songfacts®: Travis’s frontman Fran Healy told Yahoo! the story of this song: “It was written while watching MTV with the sound down. There was a thing on about swing beat. So I started singing this song – I was writing at the time, I was watching the telly and playing the guitar and humming along – and I got this cool little melody, and when it naturally got to a sort of chorus-y part, I started singing, ‘Swing… If you swing, swing, swing, swing.’ And I was imagining someone pushing someone on a swing. It was just that feeling when you’re a child on a swing – it’s the coolest feeling! And so, I played to the guys the next in the studio and everyone played along, and we recorded it as a little out take, just to get the idea down. During that, it changed from ‘swing, swing, swing’ to ‘sing, sing, sing’ halfway through the chorus. It was half and half.”
When Healy arrived back home that night and listened to it in his house, he realized the song had switched from the joy of children playing in the playground to the recuperative powers of singing. He told Yahoo: “I thought it was really cute, kinda charming. So the words in the verse I kind of directed at Nora, my fiancée.”

This song went on to become the band’s biggest hit to date and a favorite with buskers. Healy told Yahoo!: “‘Sing’ – You could replace that word with ‘Dance’ or ‘Cry’ or ‘Laugh’ or just ‘Let Go.’ ‘Cause as an expression, when you’re a child, you sing all the time. And then when you get older, you don’t – you just go, ‘I don’t want to, my voice is crap.’ But when you’re a kid, you don’t care! And I think that’s what you should always have – a little bit of that still in you. People look at people in the street that sing like they’re mad, like, ‘What are you singing for?’ But it’s about having fun and feeling good and all that stuff.”

The Invisible Band is Travis’ third studio album. The title refers to the band’s status after the success of its predecessor, The Man Who, as – says Healy – “having famous songs, but not being famous themselves.” The release quickly went to #1 in the UK and peaked at #39 in the US, making the band more visible than ever.

Baby, you’ve been going so crazy
Lately, nothing seems to be going right
So low, why’d you have to get so low?
You’re so
You’ve been waiting in the sun too long

But if you sing, sing, sing, sing, sing, sing
For the love you bring won’t mean a thing
Unless you sing, sing, sing, sing

Colder, crying over your shoulder
Hold her, and tell her everything’s gonna be fine
Surely, you’ve been going too early
Hurry, ’cause no one’s gonna be stopped
Now, now, now, now, now

But if you sing, sing, sing, sing, sing
For the love you bring won’t mean a thing
Unless you sing, sing, sing, sing, sing, sing, sing, sing

Baby, there’s something going on today
But I say nothing, nothing, nothing
Nothing, nothing, nothing, nothing, nothing, nothing, nothing
So, now, now, now, now, now

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

An other take on sing, sing, sing

“Sing Sing Sing” : version Benny Goodman

The Swingsationals – Sing Sing Sing

Saturday Classics – 13052023

‘All Around The World’ Lisa Stansfield, barry white

This week this popped to my mind, and the addition of Barry White is a a sweet addition… that voice.

This song about searching for a lost love is the biggest hit for Lisa Stansfield, a white soul singer from England. It was the first ever US R&B #1 hit by a white UK female, and topped the charts in about a dozen countries.

The spoken intro came about when Stansfield, her boyfriend Ian Devaney, and other band member Andy Morris were sitting around the piano. Andy played some chords and Lisa began talking in a low voice, in a Barry White way. They liked the way it sounded and put it on the record. Stansfield, Devaney and Morris are the writers on the track.

The “ya ya ya ya”s in the chorus were put in as a placeholder until Lisa could come up with real lyrics. The nonsense placeholder worked so well, however, that they left it in.

Ian Devaney recalled in 1000 UK #1 Hits by Jon Kutner and Spencer Leigh, “We booked this little studio and started a really rough demo on an eight-track machine with Lisa’s voice being done in one take. When we came to the proper recording, we transferred the original vocals to 24-track, added some strings and transferred it back to eight-track which we later mixed at home.” (songfacts)

I don’t know where my baby is
But I’ll find him, somewhere, somehow
I’ve got to let him know how much I care
I’ll never give up looking for my baby

Been around the world and I, I, I
I can’t find my baby
I don’t know when, I don’t know why
Why he’s gone away
And I don’t know where he can be, my baby
But I’m gonna find him

We had a quarrel and I let myself go
I said so many things, things he didn’t know
And I was oh, oh so bad
I don’t think he’s comin’ back, mm-mm
He gave the reason, the reasons he should go
And he said things he hadn’t said before
And he was oh, oh so mad
And I don’t think he’s comin’ back, comin’ back

I did too much lyin’, wasted too much time
Now I’m here a’cryin’, I, I, I

continues….

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 06052023

John Lester Nash Jr. was an American singer-songwriter, best known in the United States for his 1972 hit “I Can See Clearly Now”.Primarily a reggae and pop singer, he was one of the first non-Jamaican artists to record reggae music in Kingston.

Nash found his groove in Jamaica and recorded his biggest hits “I Can See Clearly Now” and “Stir It Up” with the reggae influence he picked up from local musicians like Bob Marley. Nash signed Marley and his group, The Wailers, but Marley would have his first taste of success outside of Jamaica when Nash included a cover of Marley’s “Stir It Up” on his own 1972 album I Can See Clearly Now

We all have someone who influence us, these are his “There are three artists who’ve really influenced me in my singing career,” Nash told Melody Maker in 1969. “They are the late Sam Cooke, Aretha Franklin and Harry Belafonte. They all have something I wish I had.”

Hold Me Tight” is a song written and performed by Johnny Nash. It was featured on his 1968 album Hold Me Tight,

I don’t want to hear it,
No more fussin’ and fightin’ baby,
Hold me tight.
Let’s let bygones be bygones,
Let’s think about tomorrow girl,
Our future’s bright.
Well, I know I was wrong,
But, I was just a fool,
Too blind to see
You were the only girl for me.
Ah but now I see the light,
And everything’s gonna be all right,
Baby, hold me tight.
Well, I know I was wrong,
But, I was just a fool,
Too blind to see
You were the only girl for me.
Ah but now I see the light,
And everything’s gonna be all right,
Baby, hold me tight.

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 29042023

Paul Simon – 50 ways to leave your lover

In a 1975 interview published in Rock Lives: Profiles and Interviews, Simon told the story of this song: “I woke up one morning in my apartment on Central Park and the opening words just popped into my mind: ‘The problem is all inside your head, she said to me…’ That was the first thing I thought of. So I just started building on that line. It was the last song I wrote for the album, and I wrote it with a Rhythm Ace, one of those electronic drum machines so maybe that’s how it got that sing-song ‘make a new plan Stan, don’t need to be coy Roy’ quality. It’s basically a nonsense song.”

According to Simon’s younger brother Eddie , Paul made this song up while teaching his son how to rhyme. Even though he didn’t take the lyrics too seriously, it’s an interesting song, particularly for those who feel trapped in bad relationships.( songfacts)

Here is the original and Miley Cyrus version. Both work for me…

Paul Simon may have sung that there were 50 ways to leave your lover, but he listed only five, which are:

1) Slip out the back, Jack
2) Make a new plan, Stan
3) You don’t need to be coy, Roy, just set yourself free
4) Hop on the bus, Gus
5) Drop off the key, Lee, and get yourself free

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 22042023

Nora jones – come away with me

Just a nice mood piece- I like singing to it. My voice range is abled me to sing along with it 🙂

This love song is the title track to Norah Jones’ debut album, released in 2002 when she was just 22. A patient, peaceful song, it finds Jones singing about a romantic escape where the only thing that matters is that they’re together. At the time, Jones was dating her bass player, Lee Alexander.

The music video was directed by James Frost, whose work includes Radiohead’s “House of Cards” and Coldplay’s “Yellow.” It shows Jones driving what appears to be the 1971 Cadillac DeVille that played a very important role in her life (we’re not sure if it’s the real one or a replica, but it has Texas plates). Jones’ mother bought her the oversized vehicle when they were living in Texas and Norah needed to commute for work. The car was pretty much indestructible, so it was a safe choice.(songfacts)

Come away with me in the night
Come away with me
And I will write you a song

Come away with me on a bus
Come away where they can’t tempt us with their lies

And I want to walk with you
On a cloudy day
In fields where the yellow grass grows knee-high
So won’t you try to come

Come away with me and we’ll kiss
On a mountaintop
Come away with me
And I’ll never stop loving you

And I want to wake up with the rain
Falling on a tin roof
While I’m safe there in your arms
So all I ask is for you
To come away with me in the night
Come away with me

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 15042023

Simply Red – Stars

“The second single to be taken from 1991’s Stars album and one of the most memorable hits of the 90s.

The most-logical explanation of Simply Red’s “Stars” would be that the vocalist is singing to his romantic interest.  The first verse is symbolic of his strong feelings for her. And the second verse is apparently indicative of them having some serious issues relationship. In the bridge especially it is revealed that the addressee has done something which has “hurt” the singer significantly.

I read that , Throughout the years, Hucknall has given many interviews offering another angle behind the inspiration for Stars. “There’s a theme of being famous and what that means and how do you keep yourself normal,” the singer has said. “I had this fixation with stardom and what that does to a person.” Given that he was already one of the biggest pop stars in the world at the time, Hucknall used the song to explore his views on stardom by reflecting on love as a means of bringing him back down to earth (“I wanna fall from the stars/Straight into your arms”). Speaking of its lyrics and his relationship with fame, Hucknall admits that Stars is really “just all about sort of escaping from that”.

Anyone who ever held you
Would tell you the way I’m feeling
Anyone who ever wanted you
Would try to tell you what I feel inside
The only thing I ever wanted
Was the feeling that you ain’t faking
The only one you ever thought about
Wait a minute, can’t you see that I

Wanna fall from the stars
Straight into your arms, I
I feel you, I hope you comprehend

For the man who tried to hurt you
He’s explaining the way I’m feeling
For all the jealousy I caused you
States the reason why I’m trying to hide
As for all the things you taught me
It sends my future into clearer dimensions
You’ll never know how much you hurt me
Stay a minute, can’t you see that I

chorus

Too many hearts are broken
A lover’s promise never came with a maybe
So many words are left unspoken
The silent voices are driving me crazy
After all the pain you caused me
Making up could never be your intention
You’ll never know how much you hurt me
Stay, can’t you see that I

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 08042023

Bee Gees How Can You Mend A Broken Heart (Live At The MGM Grand)

Released in 1971, “How Can You Mend A Broken Heart” was the lead single on the Bee Gees album Trafalgar. Primarily written by Barry and Robin, this song was the band’s first U.S. number one hit!

Barry and Robin Gibb of the Bee Gees wrote this in the style of Andy Williams, who was a popular recording artist and television presenter at the time. It became the first #1 US hit for the group, topping the chart for four weeks. Later in 1971, Andy Williams identified it as a song in his wheelhouse and recorded his own version for his covers album You’ve Got a Friend.

Despite the affected tale of heartache, this song was very easy to write, as Robin Gibb claims they wrote it in about an hour and without struggle or hardship. 

Al Green recorded this in 1972 for his album Let’s Stay Together. His version was used in the 1999 movie Notting Hill. Green drew out his epic interpretation to nearly six and a half minutes. According to Mojo magazine, producer Willie Mitchell instructed the band to imagine “they were sitting by a river, a forest across the water, with all this music coming out of the forest and floating across the river, kind of delayed.” I had to include this here too.

I can think of younger days when living for my life
Was everything a man could want to do
I could never see tomorrow
I was never told about the sorrow

And how can you mend a broken heart?
How can you stop the rain from falling down?
Tell me, how can you stop the sun from shining?
What makes the world go ’round?

How can you mend a this broken man? Yeah
How can a loser ever win?
Somebody please help me mend my broken heart
And let me live again, la-la, la-la, la

I can still feel the breeze that rustles through the trees
And misty memories of days gone by
But we could never see tomorrow
Would you believe that no one, no one ever told us about the sorrow?

So how can you mend a broken heart? And mine is
How can you stop the rain from falling down? Baby
How can you stop that old sun from shining?
What makes the world go ’round? And sometime I have to say, yeah, say

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 01042023

Etta James – Misty blue

Misty Blue” is a song written by Bob Montgomery that has been recorded and made commercially successful by several music artists. Although Montgomery wrote the song for a different artist in mind, it was brought first to the attention of Wilma Burgess in 1966.

The song reached a bigger audience after it was covered by Ella Fitzgerald the following year. Joe Simon recorded the original R&B version in 1972.

In 1976 Etta James recorded Misty Blue on her album Dreamer, a blues version of the song. It was one of the songs she almost always sang at her performances. 

Oh, it’s been a long, long time
Looks like to get you off my mind but I can’t
Just the thought of you, ooh, oh babe, just the thought of you
Turns my whole world a misty blue

Just the mention, just the mention of your name, yeah
Turns a flicker to a flame, listen to me good
I think of the things, oh, I think of the things we used to do
And that’s when my whole world
Oh, my whole world turns misty blue, yeah

I should forget you, heaven knows I’ve tried
But when I say I’m glad we’re through
My heart, my heart knows I’ve lied, I’ve lied
Oh, I’m glad we’re through
Yes, but my heart knows, my heart knows I’ve lied, yes

Just the mention, just the mention of, of your name, yeah
Turns a flicker to a flame, listen to me good
I think of the things, I think of the things we used to do, yeah
That’s when my whole world, my whole world turns misty blue
Hey, yeah, yeah, yeah
And I, I should forget you, heaven knows, heaven knows I’ve tried
But when I say I’m glad we’re through
That’s when my heart knows
That’s when my heart knows that I’ve lied and I’ve lied and I lied

Oh, oh, it’s been such a long, long, long, long time, babe
Looks like I can’t get you
I’m gonna get you off my mind but I can’t, oh no
Just the thought of you, just the thought of you
Turns my whole world, it turns my whole world
Just the thought of you, just to think of you
Just the thought of you
Turns my whole world misty, misty blue

One of the most important things that set Cray apart from his peers on the blues scene in the ’80s and ’90s was his focus on songwriting rather than guitar heroics. While he was an impressively strong player, his soloing was clean and concise for the most part, without excessive showboating, and his songs were more closely related to vintage Southern soul in their storytelling and sense of character than in the typical 12-bar paeans to whiskey and women favored by most blues acts of the era. 1983’s Bad Influence was the album that first earned Cray a major buzz among blues enthusiasts, while 1986’s Strong Persuader was a near flawless set of songs that made him a star and allowed him to cross over to the mainstream on his own terms. ( All Music)

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 25032023

Don’t Dream It’s Overby Crowded House

Crowded House lead singer Neil Finn wrote this song. He explained in an interview with Goldmine: “I wrote that on my brother’s piano. I’m not sure if I remember what the context was, exactly, but it was just about on the one hand feeling kind of lost, and on the other hand sort of urging myself on: Don’t dream it’s over. That one actually fell out literally, without me thinking about it too much.”

Finn considers this a song of unity. When he performed it in Hartford, Connecticut with Fleetwood Mac on March 15, 2019, he dedicated the song to the victims of the shootings in Christchurch, where earlier in the day a gunman opened fire on two mosques.

It is such a beautiful song that has been an anthem of hope and unity during various global events.

There is freedom within
There is freedom without
Try to catch the deluge in a paper cup
There’s a battle ahead
Many battles are lost
But you’ll never see the end of the road
While you’re travelling with me

Hey now, hey now
Don’t dream it’s over
Hey now, hey now
When the world comes in
They come, they come
To build a wall between us
We know they won’t win

Now I’m towing my car
There’s a hole in the roof
My possessions are causing me suspicion
But there’s no proof
In the paper today
Tales of war and of waste
But you turn right over to the TV page

Chorus

Now I’m walking again
To the beat of a drum
And I’m counting the steps to the door of your heart
Only shadows ahead
Barely clearing the roof
Get to know the feeling of liberation and release

One of the most important things that set Cray apart from his peers on the blues scene in the ’80s and ’90s was his focus on songwriting rather than guitar heroics. While he was an impressively strong player, his soloing was clean and concise for the most part, without excessive showboating, and his songs were more closely related to vintage Southern soul in their storytelling and sense of character than in the typical 12-bar paeans to whiskey and women favored by most blues acts of the era. 1983’s Bad Influence was the album that first earned Cray a major buzz among blues enthusiasts, while 1986’s Strong Persuader was a near flawless set of songs that made him a star and allowed him to cross over to the mainstream on his own terms. ( All Music)

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 18032023

I discoved his music, all by myself way back in late 1980’s, while stopping to a record shop to buy something different, I went to buy Robert Gray album, after hearing some songs at a friends place. the mood, the voice spoke to me.

The Robert Cray Band performing Don’t Be Afraid Of The Dark, from the album named the same.

The most commercially and critically successful blues artist of his generation, Robert Cray took his music to the upper reaches of the pop and rock charts when many major blues acts were counting their sales in the tens of thousands. On the strength of his breakthrough album, 1986’s StrongThe most commercially and critically successful blues artist of his generation, Robert Cray took his music to the upper reaches of the pop and rock charts when many major blues acts were counting their sales in the tens of thousands

Dead of the night baby
We’re finally alone
I’ll pull up the shades
If you’ll unplug the phone

Put on some music
Marvin Gaye’s real nice
Once we get settled
I’ll turn off the lights

Don’t be afraid of the dark
Don’t be afraid of the dark
I’ll be there to hold you
Don’t be afraid of the dark

It might be scary
Til your eyes adjust
Don’t fear the shadows
Me you can trust

I’m at my best
In a pitch black room
Hold on tight baby
You’ll feel the power soon

Don’t be afraid of the dark
Don’t be afraid of the dark
I’ll be there to hold you

You might tremble
You might shake
Scream out loud
You may even pray

I know which moves
Suit you right
You’ll beg for more
You’ll forget about the night

One of the most important things that set Cray apart from his peers on the blues scene in the ’80s and ’90s was his focus on songwriting rather than guitar heroics. While he was an impressively strong player, his soloing was clean and concise for the most part, without excessive showboating, and his songs were more closely related to vintage Southern soul in their storytelling and sense of character than in the typical 12-bar paeans to whiskey and women favored by most blues acts of the era. 1983’s Bad Influence was the album that first earned Cray a major buzz among blues enthusiasts, while 1986’s Strong Persuader was a near flawless set of songs that made him a star and allowed him to cross over to the mainstream on his own terms. ( All Music)

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 11032023

I discoved his music, all by myself way back in late 1980’s, while stopping to a record shop to buy something different, I went to buy Robert Gray album, instead of buying only that album I also bought this album, Bring the family, I did not regret it.

This song isn’t the most recognized, that would be ”Have A Little Faith In Me”, I’m sure.

John Hiatt is an American singer-songwriter. He has played a variety of musical styles on his albums, including new wave, blues, and country. Hiatt has been nominated for nine Grammy Award and has been awarded a variety of other distinctions in the music industry.

He has said this: I call myself a singer-songwriter, but I’m a pretty good rhythm guitar player and there’s something to be said for that. Bob Dylan is also a pretty good rhythm guitar player – Edward Van Halen couldn’t do what Dylan does as a rhythm player.

There’s a lipstick sunset
Smeared across the August sky
There’s a bitter sweet perfume
Hanging in the fields
The creek is running high

And I left my lover waiting
In the dawn somewhere to wonder why
By the end of the day
All her sweet dreams would fade
To a lipstick sunset

Well, a radio was playing
And that ol’ summer heat was on the rise
I just had to get away
Before some sad old song
Brought tears to my eyes

And Lord I couldn’t tell her
That her love was only killing me
By the end of the day
All her sweet dreams would fade
To a lipstick sunset

Well it’s pretty as a picture baby
Red and blushing just before the night
Maybe love’s like that for me
Maybe I can only see
As you take away the light

So hold me in the darkness
We can dream about the cool twilight
‘Til the dawning of the day
When I make my getaway
To a lipstick sunset

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.

Saturday Classics – 04032023

She is one of my all time favorites, I used to listen to her often in the 80’s , my sister introduced me to her music.

Anticipation by Carly Simon

Carly Simon wrote “Anticipation” while waiting for Cat Stevens to come over for their first date (she was making chicken with a béarnaise sauce). She was his opening act for a concert at the Troubadour in Los Angeles on April 6, 1971, and they were set to play again at Carnegie Hall in New York City on June 5. Simon lived in the City, so she invited Stevens over for the date a few days before that show.He was late, so Simon burned off some nervous energy by sitting down with her guitar. She imitated Stevens’ style (he was her favorite artist) from his song “Hard Headed Woman,” where he keeps it mellow but then ramps it up for a section when he sings, “I know many fine feathered friends.” Simon played loud, singing the word that came into her mind because she was waiting for Stevens: “Anticipation.””I was anticipating his arrival,” she said in the book Anthems We Love. “So I just started the song and I wrote the whole song, words and music, before he got there that night. So in about 15 minutes I wrote the whole song. Three verses and the choruses and the outro. That’s only one of three times that that’s ever happened to me. That I just sat down and wrote the whole song in just one stretch. It was only about 20 minutes that he was late.”

This song is very much about living in the moment. Simon isn’t sure this relationship is going to last, but she decides to just enjoy it while they’re together. “These are the good old days,” goes the refrain at the end. (Song facts)

We can never know about the days to come
But we think about them anyway
And I wonder if I’m really with you now
Or just chasin’ after some finer day

Anticipation, anticipation
Is makin’ me late
Is keepin’ me waitin’

And I tell you how easy it feels to be with you
And how right your arms feel around me
But I, I rehearsed those words just late last night
When I was thinkin’ about how right tonight might be

Anticipation, anticipation
Is makin’ me late
Is keepin’ me waitin’

And tomorrow we might not be together
I’m no prophet and I don’t know nature’s ways
So I’ll try and see into your eyes right now
And stay right here ’cause these are the good old days

Lepis is hosting Saturday Classics, you can add your own link here Saturday Classics

On Her page she writes: This blog is back with hosting the Classics after few years break. This time we’ll be playing on Saturdays and you can link straight here on this own page. Rules: There are no rules, as long as the song you play is a classic in your mind. Linking open 8 am and closes 12 pm.