The facade of a rustic building characterized by bright turquoise wooden doors and window shutters set against white, textured walls. A small porch area in front of the entrance houses two upside-down wooden chairs balanced on a small white table, terracotta pots with plants, and a drying rack with white clothes pinned to it. The scene is accented by a potted plant with green leaves climbing near the door and vibrant red flowers in the foreground. The color contrast between the vivid blue paint and the neutral white walls, alongside the aged, weathered textures, evokes a charming, cozy atmosphere typical of a Crete Island atown
An elderly woman with gray hair and glasses is seen hanging white laundry on a red drying rack positioned outdoors, near a blue door and white wall. She wears a black long-sleeved top and is focused on attaching clothes with colorful clothespins. The setting includes a climbing green plant on the wall, adding a natural element to the scene. This was a quiet, everyday moment with warm, natural lighting that highlights the textures and colors of the environment and the laundry.
I wrote a piece of fiction to go with these images of an abandoned house, illustrating the eerie silence that envelops the crumbling walls and overgrown garden. As I delved deeper into the story, the forgotten echoes of the past began to emerge, trying to paint a picture of the lives once lived within those decaying rooms. The shadows seemed to whisper secrets, share my take of the the mysteries that lay hidden beneath the layers of dust and time.
In the heart of a forgotten village, there stood an old, rundown house that held the whispers of its vibrant past. It had a faded, cracked exterior and a barely intact tiled roof, with memories of joyful days trapped in every corner. The walls, now worn and discolored, showed glimpses of the brick and stone beneath, framing the door and windows like silent guardians of time. This house used to belong to the Georgiou family, who left it behind decades ago following a series of unfortunate events. The wooden door, slightly open and well-worn, hinted at laughter and love that once filled the space, now muted by silence. The windows, partially covered with old shutters, were entwined with greenery, as nature gradually took back what people had forsaken. Surrounding the house, wild grass danced in the breeze, while a bare, spindly tree reached for the sky—a testament to resilience and a haunting reminder of the family’s departure. Above, the heavy clouds seemed to grieve for a life that used to buzz with energy, as if the past longed to be acknowledged once again.
the deteriorating corner of an old, rustic roof made of curved terracotta tiles,
The deteriorating corner of an old, rustic roof made of curved terracotta tiles, many of which are covered with patches of moss and appear weathered and broken. Below the roof, the wall shows signs of decay with exposed bricks and crumbling plaster, revealing various textures and layers of construction materials. Bare tree branches extend across the lower left of the frame, contrasting with the warm earthy tones of the roof and wall. The sky is clear and bright, adding a subtle contrast to the aged, textured structures in the foreground. Can you see a doll on the roof, or is it just me? What is the story there?
The weathered window
The weathered window set into an old, deteriorating wall once belonged their daughter Eleni spent her childhood. The window shutters are wooden and painted red, but the paint is severely chipped and peeling, revealing the worn wood beneath. Eleni would often sit by this window, dreaming of adventures beyond the walls, her imagination ignited by the vibrant world outside. Below the window, overgrown green plants and small yellow flowers grow along the ledge and the base of the wall, remnants of Eleni’s once-cared-for garden where she picked flowers for her mother. As she grew older, the dreams by this window transformed into aspirations of travel, writing stories inspired by the landscapes she envisioned. The wall itself shows signs of decay, with cracked plaster and exposed bricks, echoing the passage of time since the family moved away, leaving behind a rustic and abandoned atmosphere with earthy, muted colors, which now serve as a silent witness to her cherished memories. This window became a portal for Eleni, connecting her past with a future filled with hopes of re-exploring the wild beauty beyond the walls that once confined her.
While I was in Crete, I came across this small, weathered two-story building that really caught my eye. It had a flat, tiled roof and the exterior was quite worn, with peeling paint all over. I noticed it had a single window with a roller shutter on the upper part, and there was this interesting balcony-like feature adorned with four diamond-shaped yellow accents. It seemed to have some antennas and cables cluttering the roof, including a satellite dish and an old TV antenna, and a subpanel and a water tank for warm water, which hinted that someone lived there, even though the door does not suggest that. This building gives mixed signals. The building was surrounded by tall grass and colorful wildflowers, and in the background, there were lush green trees under a clear sky. It was in a peaceful, rural area, and the atmosphere was kind of lonely.
I came across the cutest pastel pink building facade in Chania Port for my Monday Window! It has these four charming windows framed by vibrant green shutters, all nicely arranged in two uplifting rows. Each window leads to a delightful little balcony with wrought iron railings that give it an elegant touch. I couldn’t help but notice a cheerful table and chairs set up there—just perfect for soaking up the sun! I even spotted a single person on the upper left balcony, dressed in lively colors, which added a joyful vibe to the peaceful, symmetrical scene. The soft natural light made everything pop, especially the lovely contrast between the pink wall and the green shutters.
For this weeks Thursday Doors, I am continuing with the theme from my Monochrome post from yesterday, reflecting on our trip to Paris in 2006; these are such old photos that it’s enjoyable to edit them with more freedom than I typically do, allowing me to enhance the characteristics and emotions captured in each image. I can also work with images that aren’t the clearest due to this editing approach, breathing new life into them and revealing details that might have otherwise gone unnoticed.
A charming Parisian street scene featuring a crepe stand and a cozy restaurant, capturing the essence of the city’s vibrant atmosphere.
These photographs are from the renowned Rue du Calvaire in the Montmartre neighborhood of Paris way back 20 years ago, a place filled with vibrant history and artistic passion. This district is noted for its elevated terrain in the northern section of the city and has long been home to many artists who have found inspiration in its picturesque streets and charming buildings. Rue du Calvaire is especially well-known for its steep staircase that ascends the hill, where each step leads to breathtaking views and hidden gems waiting to be discovered. This location is a favored spot for providing stunning vistas of Paris, where visitors can gaze across the cityscape, absorbing the iconic skyline that has captivated hearts for generations. The ambiance evoke feelings of nostalgia and creativity, as one imagines the countless stories that have unfolded in this enchanting corner of the world.
A scenic view of Parisian stairs leading down to charming buildings, capturing the timeless beauty of the city’s architecture.A misty view of Paris rooftops, capturing the timeless beauty of the city.
We were cautioned about the significant issue of homelessness during our visit to San Francisco several years ago; I’m uncertain about the current situation, but I doubt it has improved significantly. Still, I hope it has. It was quite disheartening to see as we drove through the city; these random shots reflect that experience. RDP Friday: Random
A random shot taken from the car of a person carrying a large mattress walks past an Italian restaurant on a San Francisco city street.
A man struggles to carry a mattress along a city street under a stop light
A whimsical display featuring a playful red figurine pushing a cart alongside stylish clothing and a luxury handbag, celebrating 130 years of monogram design.
This week it’s Anne’s turn to host, and for that, I took an outing to Helsinki. Well, that is partially true. We went to buy bed linen; one of our sheets had been used so much that it ripped with a big hole. I have, for an unknown reason, very sensitive skin at the moment, so I wanted very soft linen. I am happy to say I found it: bamboo sheets. Luxury. I am way off the point here, but it might explain some of my photos. I took them all with my iPhone. Anne wrote: Look around, and using your imagination, what do you see? Please keep this to the same walk—that’s the challenge. I’m looking forward to seeing what you find. And have fun! This is where my walk began.
A beautifully arranged display of soft, luxurious bed linen featuring patterned blue sheets and plush pillows, perfect for a comfortable night’s sleep. I did not buy these but it was a last minute decision to take photos and this is a lovely set in my opinion.
I did take the one below as I did not know if we were going to go out of the store, I mean it was cold.
We strolled around for a bit, and you know how it is in familiar spots—you hardly notice the little things, right? So, I grabbed some shots of Aleksanterinkatu and the folks bustling about. Then I kicked myself for not paying more attention. In the shots below, you’ll see some doors that normally I’d just breeze past, even though I think they’re gorgeous.
To participate in this challenge, I needed to discover something compelling for a photograph. I captured a close-up of the intricate stone carvings at the entrance of the Pohjola Insurance Company’s building in Helsinki. Designed by architect Eliel Saarinen, the building was completed in 1901 and features a façade embellished with grotesques and mythical creatures from Finnish folklore. The scowling faces in the picture are crafted by sculptor Hilda Flodin. My husband made a joke about it, and just from their expressions, you can tell which ones are women, as he remarked with a smug grin 😂
Window shopping and checking out the displays is fun, but this time I tried to pay more attention to the details and didn’t really nail it. I could’ve done better, but the cold wind had my fingers feeling like ice sticks!
We did find a restaurant to have lunch.
Please keep it to the same walk—that was the challenge, I did that. My intention was to keep the post shorter, but this is what I found. And I did have fun! It turned out that my photos are not award-winning photos or all that attractive to my photographic eye; but, I did take the risk and found something worth the time.
Thanks Anne for this one, it made go out to the cold and have walk in the city. Next week, Saturday, January 17, at noon EST is my turn to host, hope to see you then.
Please remember to link your post Anne’s original post. Also, remember to use the Lens-Artists Tag to help us find you.
The building depicted in the picture is Lundquist’s commercial building, located in Helsinki. It is one of the most beautiful and representative buildings in Finland and a landmark in Helsinki’s city center. It has been renovated in recent years.
The building was completed in 1900 and designed by architect Selim A. Lindqvist. At the time of completion, it was Finland’s first pure commercial building, which contained no residential apartments. The façade is adorned with statues inspired by mythological goddesses, such as Artemis and Athena, reflecting the building’s original purpose as a shopping center.
Entrance of Lundquist’s commercial building in Helsinki, featuring statues of mythological goddesses.
These apartments are located in Tapiola, one of the suburbs of Espoo, Finland. These are some of the more modern apartment buildings. Just a block away from here, my grandmother lived for over thirty years.
Modern architecture featuring homes in residential buildings with balconies in a urban environment.A modern apartment building with balconies is a home to many residents, someone came home with a green scooter and left it parked in front.
There is all kinds of together – love, friendships, hobbies, and shared moments that create lasting memories, each nurturing our souls in their own special way. Love can blossom in the warm glow of affection, reminding us how deeply we can care for one another. Friendships, filled with laughter and warmth, are life’s treasures, providing support and joy through our shared experiences. Hobbies, whether enjoyed in solitude or as a part of a group, present beautiful opportunities for connection, allowing us to come together and explore our passions side by side. Ultimately, these forms of togetherness weave a rich tapestry of life, illustrating the profound importance of connection and understanding in our daily existence.
A couple enjoying a scenic view, embodying the theme of togetherness and connection.
A group of musicians walking together on a city street, carrying instruments and gear.A group of sailors on a boat enjoying a sunny day on the water.A couple enjoying a moment of connection and togetherness.Two riders on horseback casually stroll through a historic street.A couple sharing a tender kiss on a park bench
The whitewashed houses in Ravello are way more than just pretty sights; they capture the fun vibe and rich history of this lovely little Italian town. Perched high above the Amalfi Coast, these gorgeous buildings shine bright in the warm Mediterranean sun, their sunny exteriors popping against the lush greenery all around. Strolling through the narrow cobblestone streets, you’re hit with the sweet smell of blooming bougainvillea and can hear the cheerful sounds life round you. What makes Ravello special isn’t just the stunning scenery; it’s also the friendly locals who take pride in their whitewashed homes, inviting everyone to dive into the unique charm of this peaceful coastal gem. These were taken in summer 2016.
The Cameo Factory showcases intricate jewelry and artisan craftsmanship in a charming town of Ravello in Italy.
Art gallery entrance featuring colorful ceramics and paintings.
A bustling square in Ravello, showcasing charming whitewashed houses and vibrant greenery under the sunny Mediterranean sky.The architecture of Ravello’s church set against a clear blue sky, surrounded by lively cafes
I am utterly enchanted by the beauty of old buildings, their majestic arches and rustic charm drawing me in, their textures revealing the stories of time in all their weathered glory. The intricate details and historical significance of these structures deeply captivate me. I adore how light dances and contrasts, creating a mesmerizing play across the surfaces, illuminating the unique features of each masterpiece. I captured these at Villefranche sur Mer, a town that radiates charm and character at every corner. Yet, I acknowledge a composition mistake; I inadvertently cut off the arch, an essential element that conveyed the building’s grandeur, while focusing on the door, a moment I didn’t realize while I took it. This experience serves as a poignant reminder of the necessity to fully immerse oneself in a scene before pressing the shutter, as every element weaves together the photograph’s story.
Same place, two strikingly different compositions of this narrow lane, and you find yourself captivated by entirely new aspects. Do you feel the same? The other image irresistibly draws your gaze towards the windows and shutters, despite offering a wealth of intricate details beyond its landscape counterpart. The interplay of light and shadow weaves a dynamic tapestry that elevates the textures of the buildings. Each detail enlightened, allowing us to revel in the artistry of the architecture. Above all, I love the contrast and the play of light here—the very essence of monochrome and black and white photography. It accentuates shapes and forms, urging us to dive deeper into the image, as the absence of color beautifully challenges us to discover elegance in both simplicity and complexity.
A narrow alleyway , featuring charming architecture, vintage windows, and softly illuminated cobblestones. It is just a absolute place for a click.
Here is a photo of a window from Iso Kirkkokatu for Monday Window. The building at this point in time could have used some much-needed tlc, as its facade showed signs of wear and aging. Despite this, the window itself stands out beautifully. The light reflection casts enchanting shadows, one more addition to the shot.
A weathered window on Iso Kirkkokatu, showcasing light reflections and enchanting shadows.
I am continuing my houses and doors and windows for Dans Thursday Doors. Looking back I am sad that we only had time to stay for two days.
I don’t know the name of this house, but I like how it’s framed by the tree.The historic mansion constructed in 1873, once the center of Savannah’s elite social life and depicted in ‘Midnight in the Garden of Good and Evil.’ the Hamilton-Turner house
Constructed in 1873 by notable local entrepreneur and alderman Samuel Pugh Hamilton, who was referred to as “The Lord of Lafayette Square,” this private mansion emerged as a centerpiece for Savannah’s social activities, its magnificent architecture and interiors adding a sense of opulence to the numerous gatherings of the elite. When it became the first residence in Savannah to harness electricity, residents flocked to witness the enchanting glow of electric light shining through its windows. Over a century later, John Berendt’s book “Midnight in the Garden of Good and Evil” highlighted the lively parties hosted by Joe Odom, who once oversaw the estate. Years afterward, the Inn made a memorable appearance in the film adaptation of the same title directed by Clint Eastwood, featuring stars Kevin Spacey and John Cusack.
An example of the ornate ironwork found in Savannah.No name, but nice shutters and door and a blurry ironworks
We saw so many wonderful old buildings in Savannah, each telling a unique story through its intricate designs and rich history. I am continuing to showcase some of the buildings we looked at, with their beautifully preserved facades and charming details that transport you back in time. I love old towns, where every corner reveals a piece of the past, and the buildings that are done so beautifully resonate with a sense of nostalgia. As a fan of old architecture, I appreciate not just the aesthetic appeal but also the craftsmanship that has endured for generations, making each structure a testament to the talent of those who built them. Exploring these historic gems is like taking a stroll through time.
This was one of them, the Hamilton-Turner Inn. Located on Lafayette Square in the Historic District of Savannah, Georgia, it is supposed to be one of the city’s most historic luxury inns that captures the style of the Old South. Originally built in 1873 as a private home, the Hamilton-Turner Inn boasts a distinctive French Empire-style architectural design and is filled with original interior elements that will transport you back 150 years.
The Hamilton-Turner Inn, a historic luxury inn in Savannah, Georgia, showcasing distinctive French Empire architecture.
The Kessler Armstrong Mansion, an impressively Italian Renaissance Revival home, was built in 1919 by the prominent George Ferguson Armstrong and designed by the renowned Beaux Arts architect, Henrik Wallin. This stunning residence, characterized by its intricate detailing and grand architectural features, showcases the elegance and artistry of its era. As the only house of its kind in Savannah listed in the authoritative A Field Guide to American Houses, it stands out not just for its aesthetic appeal but also for its rich history. This is a testament to architectural excellence and historical significance, serving as a captivating reminder of the cultural heritage of the region. I did some googling to tell you this.
The Kessler Armstrong Mansion showcases Italian Renaissance Revival architecture, featuring intricate details and grandeur that reflect Savannah’s rich cultural heritage.
Grand house in Savannah – The Mercer-Williams House
The Mercer-Williams House was meticulously designed for General Hugh W. Mercer, who was the great-grandfather of celebrated songwriter Johnny Mercer, adding a unique layer of cultural significance to the residence. The ambitious construction began in 1860, showcasing architectural aspirations of the time, but it was subsequently interrupted by the tumultuous events of the Civil War, which not only halted progress but also left its imprint on the history of the structure. After several years of delay and considerable upheaval, the house was eventually completed in 1868, following General Mercer’s decision to sell the unfinished structure to John R. Wilder, an influential local businessman. Thus, in a twist of fate, no Mercer ever actually lived in the house that bears their name, creating a fascinating narrative about legacy and ownership. In Savannah, the majority of historic homes echo this tradition, often using the name of the home’s original family alongside that of the most prominent family, establishing a rich tapestry of historical narratives that delight visitors and residents alike, inviting them to explore the stories that shaped the city. This is what I found out about his house when I googled it.
Savannah – the Kehoe house at the corner of the street is supposed to be haunted.
The Kehoe House is an exquisitely restored 1892 Renaissance Revival mansion in Savannah’s Historic District. The Kehoe House was built in 1892 by William Kehoe, a successful iron foundry owner. The home’s architectural style is Queen Anne Revival. Its exterior stairway, balustrades, window treatments, fluted columns and capitals, fences and gates are all cast iron, a tribute to the iron foundry’s excellence in pattern making and casting.
These are for Thursday Doors, as I was revisiting my images from Savannah. Surprisingly I have so many doors and buildings to share from that visit. I will start with these two houses. I have previously posted them, but there is a good chance you have missed those posts.
Ritva Sillanmäki Photography 