Warm in and outside, the joy of cottage life
Warm
Tag: light
On the road
To start with he photos were not all that good, but I liked the light in them, so I made the in to art.
Same road, photos taken right after each other, so the light is little different, I used two different brushes to get a different outcome by thete texture.
Independence Day
Today we celebrate our Independence Day in snowy surroundings! Lanterns give beautiful light to the darkness on my patio
52 Frames: Week 43: Details!
Take a moment. Look at something, anything around you – what do you see? What do you notice? That’s right – our eyes take in the big picture, but then move in closer to see the Details. That’s just how we humans work – we instinctively want to look at things and then parts of those things.
I am often post details, one of my favorite ways to show you how I see the world around me. So much beauty can found near and far in small or sometimes big details.
I have taken macro shots of nature this week and it fits this topic ever so well. The others are from my archives.
The wrinkles, special features and texture of our faces in portrait. Capturing fine, rarely seen details in a macro shot – maybe abstract, or in Nature. Maybe it’s that detail on the building you pass every day, but rarely take a moment to notice.
Craft an image that shows off the details of your choice of subject. Focus, contrast and composition will play a key role , so it’s both a creative and technical challenge
By capturing an image and looking for the picture within a picture, you’ll be able to capture exquisite details that you’d probably normally overlook. When you start noticing the details, a world of new and possible images opens up to you.
I love taking photos of machinery, rust the photographic details there are to be found
52 Frames: Week 42: Black and White Minimalism!
This week we’re combining two distinct genres to form Black and White Minimalism. Black and White photos, inherently feel a little minimalistic. Using a composition that’s minimalistic, like having negative space, really adds to this unique shooting style.
Black and White minimalism usually yields a very clean and clutter-free aesthetic. A strong subject will draw the viewer’s eye, and a lot of negative space around your subject will support the main “star” of your frame.
You can create minimalism with negative space, and you can also use light and shadow by only lighting your main subject and leaving the rest of the frame in shadow (low key) or by lighting your background bright as well to create a high-key look.
But, in particular for this challenge, do remember that: Less Is More 🙂
- Be Direct: Simple does not mean boring. try to tell a story and convey emotion with as little clutter as possible.
- Negative Space: Take advantage of negative space. The “empty” space in your photo will draw the attention of the viewer towards the main subject, without being distracted by other items in the photo.
- Leading Lines: Use concepts like leading lines to guide your viewer’s eye to the image.
- Shoot in B/W: Many cameras have a black and white mode – use that to help make things simpler when previewing the shot you’ve just taken rather than having to post-process later.
- Tones and Contrast: There are a multitude of shades and tonal ranges that can be adjusted to bring out depth and textures, especially in a Black And White shot. Consider adjusting those for different looks for your image.
52 Frames: Week 41: Shoot Through Something!
Shooting Through Something – basically have something between your lens and your subject that “interferes” with the viewer’s view of your subject. It could be something as simple as leaves in front of your lens. Or if you wanted a more dramatic effect, you could use a piece of glass like a lens ball, a prism, a magnifying glass, etc.
I went out to to capture nature, carrying two camera’s, nearly broke the other by dropping it on the ground, if I’d succeeded it would have been my third camera I dropped and broke. I went out with the intention of trying to shoot behind the trees and leaves, I also did that. I brought some plastic wrap with me to use as a prop. I took this shot placing it on the lens, shooting towards the sun so the flare came nicely on the shot and also gave the shot a misty quality. The autumn colors play a big part in this image of an inlet in Kirkkonummi.
A thin plastic bag or kitchen plastic film (cling film / Saran wrap) over your lens can produce some very creative looking effects too, but you really don’t NEED any special props this week. The idea is that if something is very close to your lens, and your focus is further away, you will create a dreamy, shoot-through effect. This is of course more exaggerated with a shallow depth of fields (wide aperture, smaller f/ number). Go ahead and experiment and have fun!
You could do portraits or street photography by shooting through a window with some reflections showing up, or go the creative route and use vaseline on an old lens filter
The idea is that your foreground, even if it’s blurry, becomes part of your story. So, let’s get creative in a new way.
TIPS:
- Refraction: There are tons of ways to use glass to bend and shape light – a wineglass, a magnifying glass, a prism, a lens ball, shooting through a colored pane of glass etc.
- Use Nets: A net or thin grid can add some creative effects. If you’re too close, of course, you might not see the effect, so distance yourself appropriately.
- Use Plastic: Kitchen film wrap can be used creatively – you can draw on the film to make creative colors and interference patterns without ever harming your lens. How about that empty plastic bottle of water you were about to toss away? That can work too.
52 Frames: Week 40: Rule Of Odds!
Rule Of Odds. Simply put, there’s a school of thought that multiple subjects in a shot are more pleasing if there are an odd number of them, as opposed to even. Think 3, 5, 7, etc.. The number “one” is technically odd, but I don’t think that’s what this “rule” is referring to.
Often an odd number of subjects creates symmetry in your shot – use an odd number of things for the viewer to focus on without making it too cluttered. If you have people subjects, go for 3 or 5; maybe food photography is your thing and you want us to check out some tacos you’ve just made. Or if you’re out and about – maybe you spot 3 birds sitting on a wire. Oh look, it’s five canoes moored together at the lake – all it takes is for you be to a touch more aware of what you see and try and train your mind to compose in odds.
Remember not to over-crowd the image with too many elements. The average human brain has a better chance of feeling attracted to arrangements of 3 or 5 elements, but as you increase that number, this rule will be less relevant.
TIPS:
- Movement: Add dynamism and a feeling of movement by composing shots with good space on the correct side, usually more space in the direction of the movement.
- Cropping: Consider using cropping in your editing software to improve the composition. When done correctly, it can improve things immensely.
- Positioning: Try to align vertical elements such as buildings, people walking on the street or a solitary tree along a gridline to generate more visual interest.
- Less Is More: 3 to 5 objects of interest in a scene usually work best. Avoid making your image cluttered.
- DoF: Use an appropriate Depth Of Field to ensure good sharpness across all your subjects.
52 Frames: Week 39: Letters!
It’s all about your creativity and what you come across. You could shoot some cool looking signs in your neighborhood or capture the emotion of someone reading a heartfelt greeting card.
This week’s challenge is more about getting the feel of the story than anything else – like the sheer happiness of reading a college admission acceptance letter or contemplating wabi-sabi in an abandoned carnival sign.
Capturing emotion in an old-school task of penning one’s thoughts to paper is about patience and composure – your own as well as that of your subject. So, just breathe and take a think about what it is you want your viewer to see through not just your eyes but also your subject’s.
Getting typography shots isn’t something you might have thought of shooting earlier , but here’s your chance to try something new. Look out for cool and funky letters and fonts that are worth a dekko – you never know what you’ll find unless you start looking.
- DoF: Depth of field can play a role here to show just a single line or word while blurring out the rest. Or to ensure that you’re in focus, front to back.
- Contrast: Consider playing around with local contrast to give that extra boost to individual letters.
- Cropping: If you want to showcase shapes that look like letters, cropping down is essential to eliminate other clutter.
- White Balance: Modifying white balance can alter the tone of your shot. Use warmth, cooling and tints to give mood and depth to your image.
Here are some letter I’ve picked either this week, some from further back. My Signature is letters?? so I added it here. This weeks fresh letters are from the circus and I decided to go with the one with the first shot. I would have loved to use some of the older ones, but that would be cheating. So
52 Frames: Week 38: One Light Source!
This week it’s One Light Source. I’m talking directional light – your subject ought to be lit by light coming from a single source – think speedlight or a shaft of sunlight coming through half drawn curtains. It’s the light source and direction that you need to think of first, before you set up your subject and decide on a composition.
This challenge is all about reminding ourselves of what it takes to paint with light – directional light need not be a harsh burst to produce sharp shadows. You can arrange for soft light to come through for a more pleasing look as well.
Look to place light at angles you’d normally not think of – a full side profile or light streaming down from a bare bulb on the ceiling, maybe a night shot illuminated by a neon sign or the perennial favourite of Silhouette Photography – it’s time to be creative and play with the light.
Well, this is what happens every night. My husband reads the latest news before going to sleep. Once again, I had lots of ideas, but ended up taking the easy way out. I was thinking of what to shoot and there it was laying next to me, mobile phone as a light source, so I took my phone and took a shot of a situation I see daily. How more real can you get, a documentary shot. Thanks babe, once again for being a good sport.
I also took a shot with my grandson holding a candle, and match being scratched
- Set-up: Plan your lighting and concept before thinking about the actual composition.
- Time Of Day: If you’re planning on shooting using daylight/sunlight as your source, experiment with how the light and shadows will play out at different times.
- Modifiers: Reflectors, blockers and light modifiers are going to be key here to help shape the light.
- Exposure Compensation: Consider using Exposure Compensation to expose the image as you think fit and not as your camera’s AI / sensor does.
52 Frames: Week 37: Portrait Of A Stranger!
Portrait Of A Stranger.
Well, there’s more to it than meets the eye, of course – your location, time of day, and the willingness of a stranger to be kind enough to take some time out of their life to help you (a stranger yourself to them). But there’s magic in a camera – some people just open up when they know they’re the focus of a well-crafted photograph.
There’s creative and technical hurdles here too – one of the more important ones being time – you’ll have far less time to compose and take your photo(s) than you would if you had pre-arranged a shoot. You could grab a candid shot or something more glamorous; go low-key to get a moody and intense look. It’s portraiture after all and the images you can get are as varied as there are humans on the planet.
You’re about to experience a shared moment with someone you’ve never met before.
Please don’t shoot from the hip. Talk to a person. If your palms get sweaty just thinking about it, like me, then go with an easier subject, like your local coffee barista, mailperson, or waiter.
Don’t over think this one, other people are just you in a different rental.
Visiting a nice Italian restaurant in Lahti, I asked our pretty waiter if I could take her photo. She kindly agreed. Haven’t been out much this week as it’sbeen rather rainy, so the chances of taking photos once again happened nearly at the last day. I thought of cropping it to a more portrait, but as it was an at during her work time ,capturing a moment photo, in her busy shift, I wanted it to show the place and to highlight what her job was ,to give context to the shot. Iussed thhe last photo in this post.
TIPS:
- Be Friendly: A warm welcoming smile can work wonders
- Be Patient: People might be busy or not trusting a stranger. That’s ok. Respect their space and choice and look for someone else.
- Be Prepared: Keep your camera ready with appropriate settings. Scour out cool backgrounds or locations near by.
- Be Mindful: Do not shoot someone without appropriate permission especially children. Be respectful of people, places and occasions where it might be considered impolite or discourteous to be shooting – like funerals or religious places.
52 Frames: Week 36: Golden Hour!
Warmth, Tranquility, Contentment… just a few things I tend to feel when I’m watching a low Sun 🌅. I hope you do too, this week during Golden Hour – soft, golden light that happens twice each day. Golden Hour, or “Magic Hour”, is usually considered to be the first “hour” after sunrise and the last “hour” before sunset.
Golden Hour is when light is diffused and soft and the shadows are long and less harsh than during the day.. Golden Hour offers pretty directional light, so your composition needs to account for the angle and direction of the sun. You could use light flares as a creative choice and shoot into the light or use the shadows to add more depth and dimension to your scene.
Remember, the length of golden hour will vary with where you are on the planet and the time of year.
I seem to leave this always to the last moment. Golden hour, Saturday evening I had an epiphany, I have not taken this shot. Sunset. where I live , was at 8PM, I left the house at 7:30 seaching for a place where I could capture the golden hour. I did not head west, as I was not trying to capture sunset. East that is the direction I drove to. I had half an hour to get the shot. These are some that I considered for the challenge.
TIPS:
- Stability: Use a tripod for longer exposures – you would need a stable platform for the camera to avoid shake
- Get creative: Consider using the lighting in a variety of ways – as fill light or as rim lighting to highlight a subject. (the sun BEHIND the subject)
- Plan ahead: Be mindful of the time – good light can disappear just as quickly as it can reveal a new facet of the scene.
- Color Tone: White balance is quite important – whether you’re shooting RAW and then post-processing or editing JPGs straight from your camera.
52 Frames: Week 35: Edited By Someone Else!
This week we want you to release your artistic expression by having your image Edited By Someone Else. The point of this challenge is to gain insight into the creative process of another person and see how their interpretation would perhaps differ from your own.
Seeing different creative strokes can not only help to broaden our own understanding of other styles, but also help us to grow on our photo journey. I want to thank Pirjo Tuominen as she kindly edited my photo for this weeks challenge.
Below you can se the original and the three different edits, I am sure you are able to pick the original easily that has no edits at all 🙂 I did not take time taking this mobile phone shot, I had my phone in the position that I have while i read something on it and I took the picture. I didn’t have other makeup than I had done my eyes 🙂 Now that I look at it, a foundation would have made a difference to the skin.
52 Frames: Week 34: Peace!
Through the hustle and bustle or the humdrum everyday lives we lead and see around us, we come across small moments in time that make us stop, take a deep breath and slow down. We’d like to see you capture a moment of Peace ☮ this week.
Have a little think about any places or scenes that calm you down or center you – a tranquil lake setting, a walk through a wooded path with a close one or something close to home like your grandpa taking his afternoon siesta. It’s all about the image evoking a feeling of serenity, calm and tranquility.
The idea doesn’t necessarily need to be minimalistic , all that matters is whether the viewer understands the point of view and story your photo ought to be showing. The lighting and overall color tone of the scene will be important too, so please spare a thought for those aspects too.
There are tons of places, people and scenes that can convey this purest of emotions; so as we usually say, take a few deep breaths, center yourself and take your shot.
I have been at my summer house. One word, that can be said about the place is that it is peaceful. Hardly any neighbors, no traffic sounds. Silence, if you do not take to account the natures sounds. I took shot of this tail of the sunset ( aiming the camera towards northwest) the colors towards west were so vibrant, even if the moment was peaceful the colors would not convey that. So I turned towards the more muted tones. I had several ideas for this week, but did not get anything done towards making them become reality, planning is not enough. I hope this shot still shows peace.
The shots below show the vibrancy of the sunset and even if it was peaceful the colors do somehow tell the story, or what so you think? The blues in the last shot say it better, no ?
52 Frames: Week 33: Water!
Water – just like us humans, comes in all sorts of shapes, sizes and even colors. It’s universal and something that is absolutely essential to life on this planet. We hope you’re inspired enough to make the most of the topic.
If you have follwes me for a long time, you should know I love the sea, lakes and all water views, I take lots of photos of photos of them. I have also come into a habit of taking shots of water bottles in restaurants and cafes
You could, of course, go with a classic landscape / seascape bringing a sense of majesty to your image or perhaps go with a more down-to-earth shot of kids having a pool party
Maybe a shot showing off your technical chops with water droplet macro photography is more your style. Why not showcase the immense power of water crashing against a shoreline or go entirely the other way and take a serene shot of tranquil and still waters in a long-exposure image?
Don’t feel restricted by needing an external location either – you can get epic water shots inside your home too. Try getting a creative still life shot by using water as a prism. Or use it to enhance a portrait or with food photography.
The possibilities are boundless. 💦
ISO: There’s a lack of light – so remember to adjust your ISO settings appropriately, the higher you go, the more digital noise you will encounter.
Long Exposure: To compensate for the lack of light, long exposures work well for getting sharp images of static subjects like cityscapes and smoothening water ripples. Anything under 1/125 you want to rest your camera on a hard surface or tripod.
Light Shaping: Use lights to shape the exposure – you can isolate your subjects more easily since the background will most likely be darker due to the absence of ambient daylight.
Shoot Manual Mode: Consider shooting in Manual mode to correctly adjust parameters to get your desired exposures.
White Balance: Artificial light in urban areas can add different color casts to your image. See if adjusting the white balance can add more depth to your image.
52 Frames: Week 32: Night Photography!
it’s Night Photography this week.
This was last weeks challenge, but here I am posting about it now. I have several night shots that I like, but not being able to use them. And as I was visiting relatives at this time I was not able to go and take photos during night time. On our drive home I took this shot of the moon, think about it from a moving car, not too bad, slightly painternly look it has, but all and all, I am rather happy with it.
The thing about not having that sun around, is that everything is darker! In order to get more light to your sensor, you’ll want to slap that camera onto a tripod. or rest it on a flat surface, and set your shutter speeds to lower settings, like multiple seconds, and the night scenes in front of you will come alive!
Taking shots, illumination of neon signs or street lights lend a completely different look and feel to the very same location than if it were shot in daylight.
Ever taken portraits at night of a subject lit by a storefront window? Not all night shots need to be taken outside the house – some very creative shots can be taken inside too. Have a think on that!
Get creative with light painting or try and capture the moon- night time is just magical for photography.
If you live in a part of the world where the 🌞 is still up when most other places are much darker, that’s cool too.
TIPS:
- ISO: There’s a lack of light – so remember to adjust your ISO settings appropriately, the higher you go, the more digital noise you will encounter.
- Long Exposure: To compensate for the lack of light, long exposures work well for getting sharp images of static subjects like cityscapes and smoothening water ripples. Anything under 1/125 you want to rest your camera on a hard surface or tripod.
- Light Shaping: Use lights to shape the exposure – you can isolate your subjects more easily since the background will most likely be darker due to the absence of ambient daylight.
- Shoot Manual Mode: Consider shooting in Manual mode to correctly adjust parameters to get your desired exposures.
- White Balance: Artificial light in urban areas can add different color casts to your image. See if adjusting the white balance can add more depth to your image.
52 Frames: Week 31: Choose Color!
Look around and we’ll see something we take for granted – color. Our wonderful world is filled with it, so this week we’re asking you to Choose A Color. Make that color the theme and inspiration behind your image. Colors evoke moods and feelings – how you choose to compose and use them is what will guide the viewer through the image.
Choosing to focus on a single color in particular is both creative and good use of light, contrast and saturation is what can make or break an image. Pick a color and make it the dominant and outstanding and leave no doubt about which color you wanted to make the main point of your shot.
I am having huge problems with my computer, so much that I need to buy a new one, so these are old shots that I have here already used in my previous posts over the years. I am not able to access my computer files, or additional hard drives to add photos or load new ones from the camera disk. I am able to access the internet for now, so I am using these here this week.
Think landscapes of rolling green hills, or food shots of red chilli peppers or the all encompassing golden color at sunset – there’s a noticeable dominant color there and that’s what we’re looking for.
- Composition: Compose your shot so there’s no doubt as to which color you’re trying to use. Think about any emotions or moods your photo can evoke and bring that to the forefront. You could use a lot of negative space to direct interest to your subject or go in full-tilt and fill the frame
- Lighting: Lighting and shadows add depth to an image and can change an image dramatically. An underlit and underexposed image brings to mind a different mood than a bright, well-lit one.
- White Balance: . Using and adjusting white balance while taking your photos will be valuable
- Contrast: If there are multiple colors and shades in your image, ensure that there’s one that’s visibly up front and recognizable – it contrasts and stands out from the other shades and tone of the image.
- Post-processing: Feel free to go nuts with post-processing and editing to render some cool color effects. But remember, less is more.
52 Frames: Week 30: Single Focal Point!
This time around, we want you to look closer at a Single Focal Point. This is not a technical challenge, it’s more compositional in nature – guide your viewer’s eye to a distinct part of your image. There are a number of ways that this can be done – depth of field can make it so a subject is in focus while almost everything else is blurred; or you could use negative space and a minimalist composition to draw in the viewer to one part of the image. Sometimes you can also use light as a frame to guide the viewer’s perspective to your subject – think spotlight and light shaping.
These photos I took from a car ferry while on my way to visit a small island of Högsåra were one of my ideas to this topic. Strong Focal Point: This is pretty much the crux of the challenge – but it matters the most: choose a strong focal point that’s easily identifiable as the main point of interest of your shot.
It’s all about tuning out the distractions and taking your viewer to the exact spot in your image you want their eyes to well… focus on. You might also want to consider getting some help from your editing software with vignettes, color pops and contrast to make your desired subject stand out. Even better, use a combination of these techniques and other skills to get this challenge sorted.
Depth Of Field: Use a shallow depth of field to isolate your subject. You might also want to consider getting some help from your editing software with vignettes, color pops and contrast to make your desired subject stand out. Even better, use a combination of these techniques and other skills to get this challenge sorted. That’s what I tried here with my strawberry shots.
Leading Lines to guide the viewer to your intended point of interest in mind I took these images of old buildings and this lush road. Consider using some sort of frames to bring in the watcher’s attention – a window, slats of a fence or some tree branches; shooting through something can also work to steer attention to your focal point.
I had this n mind when I took this image from an old mill window in Mathildedal, contrasting colors help the eye to easily differentiate the subject from the background.
52 Frames: Week 29: Common Object!
This week, we’re looking to shoot a Common Object. And isn’t that what photography is all about, really? Taking the mundane and shining a different light on it. Highlighting an object or scene that we normally pass by with no notice, and making it something special.
Think about all the common objects you can see around you right this moment – a bottle, socks, a pen, eggs, coffee mugs, perfume vapor, cell phone – the list of subjects you have this week are endless.
I once again left this to the last minute, being on holiday it is all about being lazy, or not if you are married to a man who needs something done every day. So this week we have re-arranged our sauna / guest room furniture, got rid of some stuff, bought some new to replace the old one. Re arranges the kitchen cabinets, put up new shelfs. We gave a away a car load of old furniture to be recycled to a flee market. A car load of stuff to the be recycle center. Busy with ordinary, common objects, but it never crossed my mind to take photos. Today, last day to give in the submission I took some photos of common objects.
I often wear costume jewelry, so common to me. I drink coffee, wine and my hubby enjoys whisky. These are some finds from the cottage. Also these old glasses I found whilst our cleaning spree.
Now the challenge is to simply make the ordinary look extra ordinary, or at least photographed well. You could try focusing on a particular detail or texture. Or perhaps show how you use it in your day-to-day life. Tell a story about how something mundane and ordinary can be a valuable part of your day.
what is life with a occasional glass of wine or a cup of coffee
TIPS:
- Selection: Start at the very beginning – pick an object that speaks to you – whether it’s your car keys that you pick up everyday, or the chef’s knife you use to prep dinner.
- Composition: Arrange things how you want them – the great thing about common objects is that you can arrange them as you see fit; you’re not restricted by an inability to pick things up and move them around.
- Tones & Colors: The overall look and feel of the colors in an image evoke different senses and emotions – do pay attention to the composition of colors and overall tones in your image, in terms of being complementary or adding contrast.
- Balance: This is all about the visual weight- obviously, larger objects that fill the frame are meant to hold the viewer’s attention the most. Certain items can add nuance and help balance a frame without taking away from the main subject.
52 Frames: Week 28: Silhouette -v2
Photography is drawing with light and this week’s Silhouette challenge firmly shows us that. A silhouette is about bringing together contrasts of a well-lit background against a dark subject, making the subject’s shape and outline as the main point of focus. A silhouette balances what the viewer sees alongside the darker toned facets of the subject that are intentionally kept hidden from the light.
Silhouettes are a great way to tell a story while leaving it up to the imagination of the viewer – there aren’t visible features to express emotion, so your viewer will fill in details depending on the context of the image – use this to direct your viewer’s line of thinking.
This is a lesson in exposure, composition and creativity all coming together. While silhouettes are outline.. Portraits, Still Life, Architecture and Nature typically make for good silhouette genres.
Silhouettes can often convey some kind of mystic story. By leaving the details in the dark, the story becomes compelling and the viewer is more engaged with the picture.
I was nearly ready to cheat, until my youngest grandson said he would let me take a photo of him. It was a rainy day and he sat by the window with a cuddly fox. Here was my opportunity to capture a silhouette
52 Frames: Week 28: Silhouette!!
Photography is drawing with light and this week’s Silhouette challenge firmly shows us that. A silhouette is about bringing together contrasts of a well-lit background against a dark subject, making the subject’s shape and outline as the main point of focus. A silhouette balances what the viewer sees alongside the darker toned facets of the subject that are intentionally kept hidden from the light.
Silhouettes are a great way to tell a story while leaving it up to the imagination of the viewer – there aren’t visible features to express emotion, so your viewer will fill in details depending on the context of the image – use this to direct your viewer’s line of thinking.
This is a lesson in exposure, composition and creativity all coming together. While silhouettes are commonly shot in the day and at golden / blue hours, you can absolutely shoot silhouettes at night too. This will work best when the object being shot is recognizable through their well-defined shape and outline.. Portraits, Still Life, Architecture and Nature typically make for good silhouette genres.
Silhouettes can often convey some kind of mystic story. By leaving the details in the dark, the story becomes compelling and the viewer is more engaged with the picture.
I would have loved to use these shots I took at Crete as they would have suited this challenge perfectly, but no, still I think they are great examples of silhouette! But I will have to come up with something new for the challenge or I could cheat… no, I won’t do that.
TIPS:
- Background Choice: Very often, we blur out the background and pay less attention to it. Here, pay a little extra attention to your choice of background. Make it contrast with the shape of your main subject.
- Narrow Aperture: Shoot with a relatively narrow aperture of f/8 or higher to reduce the amount of light falling on your sensor, getting great Depth Of Field and also reducing chromatic aberrations especially if you’re shooting into the light.
- Metering: We want to “trick” our camera into intentionally under-exposing the subject. So use spot metering or expose for the background.
- Post-processing: Use software wisely – in post processing, it’s generally helpful to boost the contrast in your image, add more saturation, and increase the blacks slightly to improve a silhouette shot.
52 Frames: Week 27: Negative Space!!
Less is more. This week’s Negative Space challenge is what those words are all about. Make your composition’s subject stand out by ensuring you eliminate clutter, distractions and sometimes even a background.
Many minimalistic photography images have a great deal of negative space to isolate the subject. There are tons of genres and ideas that would make for very compelling shots – architecture, landscapes, portraits, food photography, abstracts and so much more. Think about the story or emotion you’d like to convey to your viewer and compose your shot after taking some time to think about it.
We’re looking for clear, un-cluttered images where the space surrounding the main subject or idea enhances your shot by taking the viewer’s eye straight there. That little bit of extra space allows for breathing room and leaves no doubt as to what the main point of interest is.
There’s magic in negative space, when used wisely, so think, breathe, shoot…
TIPS:
- Zoom with your feet: Move around to get the best composition for your photo.
- Different shooting angles: Because everything else is simplified in your frame, you have more license to “break” the rules of typical composition, for example where your subject is placed in the frame, or where they are looking.
- Find your background first: Go on a hunt for a red brick wall, or a blue garage door, then place your subject in front of it.
- Balance: Use the negative space to balance out the main subject. Don’t go overboard with the negative space, making it hard for the viewer to understand and absorb the main focus point of your shot.
- Shoot wide open: That dreamy, creamy bokeh is a great way to simplify your subject’s background, and keep the frame more minimalistic.
I would have loved to use some of the shots I took at Crete as they would have suited this challenge perfectly, but no, still I think they are great examples of negative space.
52 Frames: Week 26: Pattern!
For many of us, seeing a Pattern comes quite naturally – after all, it’s just something being repeated in a pleasing way. That’s why so many of our creations use patterns – whether it’s the crimped crust of a pie or some beautiful inlay mosaic work on floor tiles – patterns and repetition of shapes stands out to us.
I had lots of ideas, but well I run out of time and took an easy way out, because patterns are everywhere, but to get an interesting shot of it, is an other thing altogether. I went with the fern this time as the shot of peaches and butterfly are not new and the challenge is to take a new photo every week. If I had had the energy I could have tried to capture similar shots again. Not this time 🙂
Let the patterns to tell a story and that’s where the creativity comes in. Look for geometric and sharp angular patterns if you want to compose something using a pattern of shapes. You could also seek out patterns with colors. This challenge can overlap with other sub-genres like Repetition or Textures. Other genres like Abstract Photography or Architecture are also great ideas to find patterns.
One final thought – Most, if not all, patterns have repetition. But not all repetition forms a pattern. Just think about that for a bit.
Extra Challenge: Found In Nature
Tips and Tutorials
TIPS:
- Shooting Angle: Consider taking your shot at an unconventional angle – the human brain perceives patterns differently when shown in different perspectives.
- Shape Patterns: Hunt for shapes and geometrical forms that draw the eye in. Use those to direct the viewer to where you want.
- Color Patterns: In a world of color, look for collections and bunches of distinct colors that are recognizable.
- Go Wide: A wider field of view may help get more subtle patterns to be more noticeable.
- Make Your Own: Using a prism or reflective surfaces can make for some amazing portraits.
- Break The Pattern: Try and create a contrasting point of interest by breaking the pattern and having an object of focus in the midst of your composition.
52 Frames: Week 25: What is it!
What the heck is that?
That is what, I have tried to figure out, how to shoot it. That is between my coughing fits, this flu or what ever it is very strong and persistent.
If that’s the reaction your photo gets, then that means you did it right! Did i succeed in anyways?
This week we are diving into the abstract, the macro, the hidden angle, the way the light touches an object, or even getting inside an object, and giving a different view of a familiar world in order to challenge our viewer into figuring just WHAT IT IS that we photographed!
You do not need to shoot macro or up close, you can mask certain details using light (or shadow) to show what you want and hide what you don’t!
Is it a whisk? A spoon? A grain of sand?
52 Frames: Week 24: Shoot From Above!
Time to look at things from a new perspective – this week, we’re going to Shoot From Above. Most images are taken at eye level or with the camera parallel to the horizon. With a high angle shot, we’re trying to get photos from an unusual angle, taken from above the subject and looking down towards what you’re shooting. Why ? Well, the short and sweet answer is – you get some cool shots this way.
I submitted the one of the table, but I wanted to post some of the droplets I captured this morning, yes, I shot them from above, but you cannot tell that from the photos. So I did not use them. I am going to do an other post just with them, but here are some of my choices of including some flowers also, naturally 🙂 My entry was not the most unusual, or original, but due to not being able to venture outside my yard due to summer flu my choices are rather limited.
You can shoot some cool portraiture by getting up higher than your subject. Food and product shots are also well-suited to being shot from above (just pay attention to your lighting and shadows). Oh, and let’s not forget flat-lays – you can go minimalistic or mega creative with your ideas here.
And of course, the evergreen favorite: landscape shots – whether natural or urban. Just position yourself somewhere high (and safe) and shoot scenes of what’s happening below -. Go a bit abstract and look down the mirrored facade of an office building.
- Depth Of Field: Your DoF will help a lot here – do yo want to isolate your subject?; Go for a wider aperture like f/1.8 +. Want lots of detail in focus for that cityscape? Maybe f/8 or f/16 would be more suitable.
- Composition: Look for lines and objects around that help create a strong composition, especially if your subject is isolated and at a distance.
- Go High: If you can’t get to a height, try and make your camera do so – hold it up higher above your head and if you’re lucky to have a flip-out screen, that’s exactly the scenario that it’s there for! You could also mount your camera on a monopod, set a timer and hoist it up high to get a cool shot.
- Selfie Stick: It was all the rage a few years ago, and the humble selfie stick can easily help out in this challenge.
52 Frames: Week 23: Triangular!
Three’s company or a crowd… 🤷🏻♀️ – but in photography, we can use 3 “lines” to make a Triangular Composition – three lines in an image to create either an “actual” triangle shape, like a harsh shadow on the street, or hands raised above ones head, or a “perceived” triangle shape like posing a group of people in your frame, or cutting your frame in half with some diagonal shape (your subject’s limbs placed diagonally in your frame can make great perceived triangles in your frame’s composition). Other ways perceived triangles can be utilized in your composition could include the way a lamp casts light onto your subject, or a leading line taking you into the frame.
This challenge is NOT a request to find a triangle toy, or a triangular OBJECT and take a photo of it. This is a compositional challenge, as its name implies: Triangular COMPOSITION. Just like for the Rule of Thirds challenge, for example, wasn’t a request to go out and find tic-tac-toe boards!
Triangular composition is one of those “guidelines” in photography composition, that can enhance interest in your frame, if or when you can incorporate it. The purpose of this challenge is to first train yourself to SEE it. Once you understand where triangles take form in composition, you can then craft your own frame utilizing one of these techniques.
you can achieve triangular composition in many ways: by placing your subject’s hand on their ear, by catching the harsh mid-day shadow on a street, by capturing a long, straight road, that disappears in the distance.
This challenge is not (necessarily) referring to the “golden triangle”, the focus is more on these scenarios where you can identify regular ol’ triangles in your composition.
Be creative : let’s not be obtuse 
in looking for the right 📐angle. We’re all equilaterally🔺capable of acutely 🚩 good photos.
52 Frames: Week 21: Inspired By A Photographer! #2
Andy Gotts MBE MA he is a photographer based in London, England, and New York, USA. He is most noted for his black and white portraits of Hollywood actors and singers, but he has occasional color shots, but even they are in muted colors.
I did not have a anyone famous to take photograph of, but my trusted model stepped up for the challenge.
Whether it’s legendary photographers whose work you’ve come across in a gallery exhibition or cool, modern photogs on Insta (and 52Frames.com), there are so many photographers whose work inspires me. Sometimes it’s just the concept, story and creativity of the composition; at other times, I find the technical aspects to be just jaw-dropping.
Being inspired isn’t the same as a 1:1 copy – far from it, it’s about learning and picking up certain aspects and nuances from a fellow photographer. Look at the tones and color palette that’s used or perhaps the technique that made it a shot for you to recall.
Still not sure whose work you’d like to pay tribute to or can’t choose from your photo heroes? Use our friendly random prompter to help you out with some well-admired photographers and the genres they’re best known for.
Ritva Sillanmäki Photography 