colors – Ritva Sillanmäki Photography

52 Frames: Week 31: Choose Color!

Look around and we’ll see something we take for granted – color. Our wonderful world is filled with it, so this week we’re asking you to Choose A Color. Make that color the theme and inspiration behind your image. Colors evoke moods and feelings – how you choose to compose and use them is what will guide the viewer through the image.

Choosing to focus on a single color in particular is both creative and good use of light, contrast and saturation is what can make or break an image. Pick a color and make it the dominant and outstanding and leave no doubt about which color you wanted to make the main point of your shot.

I am having huge problems with my computer, so much that I need to buy a new one, so these are old shots that I have here already used in my previous posts over the years. I am not able to access my computer files, or additional hard drives to add photos or load new ones from the camera disk. I am able to access the internet for now, so I am using these here this week.

Think landscapes of rolling green hills, or food shots of red chilli peppers or the all encompassing golden color at sunset – there’s a noticeable dominant color there and that’s what we’re looking for.

Composition: Compose your shot so there’s no doubt as to which color you’re trying to use. Think about any emotions or moods your photo can evoke and bring that to the forefront. You could use a lot of negative space to direct interest to your subject or go in full-tilt and fill the frame
Lighting: Lighting and shadows add depth to an image and can change an image dramatically. An underlit and underexposed image brings to mind a different mood than a bright, well-lit one.
White Balance: . Using and adjusting white balance while taking your photos will be valuable
Contrast: If there are multiple colors and shades in your image, ensure that there’s one that’s visibly up front and recognizable – it contrasts and stands out from the other shades and tone of the image.
Post-processing: Feel free to go nuts with post-processing and editing to render some cool color effects. But remember, less is more.

52 Frames: Week 30: Single Focal Point!

52 Frames, Still life

This time around, we want you to look closer at a Single Focal Point. This is not a technical challenge, it’s more compositional in nature – guide your viewer’s eye to a distinct part of your image. There are a number of ways that this can be done – depth of field can make it so a subject is in focus while almost everything else is blurred; or you could use negative space and a minimalist composition to draw in the viewer to one part of the image. Sometimes you can also use light as a frame to guide the viewer’s perspective to your subject – think spotlight and light shaping.

These photos I took from a car ferry while on my way to visit a small island of Högsåra were one of my ideas to this topic. Strong Focal Point: This is pretty much the crux of the challenge – but it matters the most: choose a strong focal point that’s easily identifiable as the main point of interest of your shot.

It’s all about tuning out the distractions and taking your viewer to the exact spot in your image you want their eyes to well… focus on. You might also want to consider getting some help from your editing software with vignettes, color pops and contrast to make your desired subject stand out. Even better, use a combination of these techniques and other skills to get this challenge sorted.

Depth Of Field: Use a shallow depth of field to isolate your subject. You might also want to consider getting some help from your editing software with vignettes, color pops and contrast to make your desired subject stand out. Even better, use a combination of these techniques and other skills to get this challenge sorted. That’s what I tried here with my strawberry shots.

**Leading Lines:** Think of using leading lines to guide the viewer to your intended point of interest.

Leading Lines to guide the viewer to your intended point of interest in mind I took these images of old buildings and this lush road. Consider using some sort of frames to bring in the watcher’s attention – a window, slats of a fence or some tree branches; shooting through something can also work to steer attention to your focal point.

**Color Contrast:** Contrasting colors help the eye to easily differentiate the subject from the background

I had this n mind when I took this image from an old mill window in Mathildedal, contrasting colors help the eye to easily differentiate the subject from the background.

52 Frames: Week 29: Common Object!

52 Frames, Still life

This week, we’re looking to shoot a Common Object. And isn’t that what photography is all about, really? Taking the mundane and shining a different light on it. Highlighting an object or scene that we normally pass by with no notice, and making it something special.

Think about all the common objects you can see around you right this moment – a bottle, socks, a pen, eggs, coffee mugs, perfume vapor, cell phone – the list of subjects you have this week are endless.

I once again left this to the last minute, being on holiday it is all about being lazy, or not if you are married to a man who needs something done every day. So this week we have re-arranged our sauna / guest room furniture, got rid of some stuff, bought some new to replace the old one. Re arranges the kitchen cabinets, put up new shelfs. We gave a away a car load of old furniture to be recycled to a flee market. A car load of stuff to the be recycle center. Busy with ordinary, common objects, but it never crossed my mind to take photos. Today, last day to give in the submission I took some photos of common objects.

I often wear costume jewelry, so common to me. I drink coffee, wine and my hubby enjoys whisky. These are some finds from the cottage. Also these old glasses I found whilst our cleaning spree.

Now the challenge is to simply make the ordinary look extra ordinary, or at least photographed well. You could try focusing on a particular detail or texture. Or perhaps show how you use it in your day-to-day life. Tell a story about how something mundane and ordinary can be a valuable part of your day.

what is life with a occasional glass of wine or a cup of coffee

TIPS:

Selection: Start at the very beginning – pick an object that speaks to you – whether it’s your car keys that you pick up everyday, or the chef’s knife you use to prep dinner.
Composition: Arrange things how you want them – the great thing about common objects is that you can arrange them as you see fit; you’re not restricted by an inability to pick things up and move them around.
Tones & Colors: The overall look and feel of the colors in an image evoke different senses and emotions – do pay attention to the composition of colors and overall tones in your image, in terms of being complementary or adding contrast.
Balance: This is all about the visual weight- obviously, larger objects that fill the frame are meant to hold the viewer’s attention the most. Certain items can add nuance and help balance a frame without taking away from the main subject.

Traveling Crete #10

Cities, Photography, Travel, Traveling Crete

Some atmosphere photos from Chania old town lanes and the harbor area from an other perspective

52 Frames: Week 28: Silhouette -v2

52 Frames, Traveling Crete

Photography is drawing with light and this week’s Silhouette challenge firmly shows us that. A silhouette is about bringing together contrasts of a well-lit background against a dark subject, making the subject’s shape and outline as the main point of focus. A silhouette balances what the viewer sees alongside the darker toned facets of the subject that are intentionally kept hidden from the light.

Silhouettes are a great way to tell a story while leaving it up to the imagination of the viewer – there aren’t visible features to express emotion, so your viewer will fill in details depending on the context of the image – use this to direct your viewer’s line of thinking.

This is a lesson in exposure, composition and creativity all coming together. While silhouettes are outline.. Portraits, Still Life, Architecture and Nature typically make for good silhouette genres.

Silhouettes can often convey some kind of mystic story. By leaving the details in the dark, the story becomes compelling and the viewer is more engaged with the picture.

I was nearly ready to cheat, until my youngest grandson said he would let me take a photo of him. It was a rainy day and he sat by the window with a cuddly fox. Here was my opportunity to capture a silhouette

52 Frames: Week 28: Silhouette!!

52 Frames, Traveling Crete

This is a lesson in exposure, composition and creativity all coming together. While silhouettes are commonly shot in the day and at golden / blue hours, you can absolutely shoot silhouettes at night too. This will work best when the object being shot is recognizable through their well-defined shape and outline.. Portraits, Still Life, Architecture and Nature typically make for good silhouette genres.

Silhouettes can often convey some kind of mystic story. By leaving the details in the dark, the story becomes compelling and the viewer is more engaged with the picture.

I would have loved to use these shots I took at Crete as they would have suited this challenge perfectly, but no, still I think they are great examples of silhouette! But I will have to come up with something new for the challenge or I could cheat… no, I won’t do that.

TIPS:

Background Choice: Very often, we blur out the background and pay less attention to it. Here, pay a little extra attention to your choice of background. Make it contrast with the shape of your main subject.
Narrow Aperture: Shoot with a relatively narrow aperture of f/8 or higher to reduce the amount of light falling on your sensor, getting great Depth Of Field and also reducing chromatic aberrations especially if you’re shooting into the light.
Metering: We want to “trick” our camera into intentionally under-exposing the subject. So use spot metering or expose for the background.
Post-processing: Use software wisely – in post processing, it’s generally helpful to boost the contrast in your image, add more saturation, and increase the blacks slightly to improve a silhouette shot.

Traveling Crete #9

Landscapes, Photography, Travel, Traveling Crete

Some atmosphere photos from Chania and buildings at the Venetian harbor. The first set I took with my mobile and the other with my camera where I was able to adjust the settings and zoom better and was able to get more moody shots.

52 Frames: Week 27: Negative Space!!

52 Frames, Flowers

Less is more. This week’s Negative Space challenge is what those words are all about. Make your composition’s subject stand out by ensuring you eliminate clutter, distractions and sometimes even a background.

Many minimalistic photography images have a great deal of negative space to isolate the subject. There are tons of genres and ideas that would make for very compelling shots – architecture, landscapes, portraits, food photography, abstracts and so much more. Think about the story or emotion you’d like to convey to your viewer and compose your shot after taking some time to think about it.

We’re looking for clear, un-cluttered images where the space surrounding the main subject or idea enhances your shot by taking the viewer’s eye straight there. That little bit of extra space allows for breathing room and leaves no doubt as to what the main point of interest is.

There’s magic in negative space, when used wisely, so think, breathe, shoot…

TIPS:

Zoom with your feet: Move around to get the best composition for your photo.
Different shooting angles: Because everything else is simplified in your frame, you have more license to “break” the rules of typical composition, for example where your subject is placed in the frame, or where they are looking.
Find your background first: Go on a hunt for a red brick wall, or a blue garage door, then place your subject in front of it.
Balance: Use the negative space to balance out the main subject. Don’t go overboard with the negative space, making it hard for the viewer to understand and absorb the main focus point of your shot.
Shoot wide open: That dreamy, creamy bokeh is a great way to simplify your subject’s background, and keep the frame more minimalistic.

I would have loved to use some of the shots I took at Crete as they would have suited this challenge perfectly, but no, still I think they are great examples of negative space.

Traveling Crete #8

Landscapes, Photography, Travel, Traveling Crete

This post is all about the first sunset we saw in Chania at the Venetian harbour, it was so lovely that we later in the week came back for an other one. Well we came for dinner too and shopping, walking in the small alleys in old town. The first set I took with my mobile and the other with my camera where I was able to adjust the settings and zoom better and was able to get more moody shots.

Traveling Crete #7

Landscapes, Photography, Travel, Traveling Crete

Our first visit to Chania it is a breathtaking city on the north-west coast of the island of Crete. The city is historically significant In the town of Chania, ancient Greek, Byzantine, Venetian, and Ottoman buildings coexist in the landscape of the city. We visited the Virgin Mary Metropolitan Church, on our way to the Venetian Harbour, “It is worth walking and watching, and at sunset you can get some really nice shot. Those I will share in the next post.

Traveling Crete #6

Landscapes, Photography, Travel, Traveling Crete

Papadiana is a lovely small village located 60 km south of Chania and close to the village of Sougia. With few inhabitants (population 14 as I found out as I googled the area) that deal mostly with agriculture, Papadiana has traditional architecture with stone houses and narrow streets.

It is surrounded by lush greenery and wild mountainsides. Most vegetation comprises of olive groves that give pure virgin oil, for which Crete is famous.

We drove through this small village and noticed a sign on the side of the road, Old mill, we took the turn and found this idyllic place at the end of this gravel road. When we saw the mill it it had a 1860 A.C. sign on it.,

52 Frames: Week 26: Pattern!

Flowers

For many of us, seeing a Pattern comes quite naturally – after all, it’s just something being repeated in a pleasing way. That’s why so many of our creations use patterns – whether it’s the crimped crust of a pie or some beautiful inlay mosaic work on floor tiles – patterns and repetition of shapes stands out to us.

I had lots of ideas, but well I run out of time and took an easy way out, because patterns are everywhere, but to get an interesting shot of it, is an other thing altogether. I went with the fern this time as the shot of peaches and butterfly are not new and the challenge is to take a new photo every week. If I had had the energy I could have tried to capture similar shots again. Not this time 🙂

Let the patterns to tell a story and that’s where the creativity comes in. Look for geometric and sharp angular patterns if you want to compose something using a pattern of shapes. You could also seek out patterns with colors. This challenge can overlap with other sub-genres like Repetition or Textures. Other genres like Abstract Photography or Architecture are also great ideas to find patterns.

One final thought – Most, if not all, patterns have repetition. But not all repetition forms a pattern. Just think about that for a bit.

Extra Challenge: Found In Nature

Tips and Tutorials

TIPS:

Shooting Angle: Consider taking your shot at an unconventional angle – the human brain perceives patterns differently when shown in different perspectives.
Shape Patterns: Hunt for shapes and geometrical forms that draw the eye in. Use those to direct the viewer to where you want.
Color Patterns: In a world of color, look for collections and bunches of distinct colors that are recognizable.
Go Wide: A wider field of view may help get more subtle patterns to be more noticeable.
Make Your Own: Using a prism or reflective surfaces can make for some amazing portraits.
Break The Pattern: Try and create a contrasting point of interest by breaking the pattern and having an object of focus in the midst of your composition.

Traveling Crete #5

Landscapes, Photography, Traveling Crete

Although Crete isn’t the homeland of oranges and lemons, citrus fruits play a huge role in the Cretan diet. If I saw many olive trees I did see some orange and lemon trees as well. Ancient Greeks used to believe that the Earth goddess, Gaia, gave citrus fruits as a gift to Zeus and Hera on their wedding.

The special microclimate in the area of Chania, as well as the abundant water available from the Cretan White Mountains, contribute to the growth of juicy oranges. I heard said that…

“In fact, these oranges are among the most delicious in the world.”

52 Frames: Week 25: What is it!

Still life

What the heck is that?

That is what, I have tried to figure out, how to shoot it. That is between my coughing fits, this flu or what ever it is very strong and persistent.

If that’s the reaction your photo gets, then that means you did it right! Did i succeed in anyways?

This week we are diving into the abstract, the macro, the hidden angle, the way the light touches an object, or even getting inside an object, and giving a different view of a familiar world in order to challenge our viewer into figuring just WHAT IT IS that we photographed!

You do not need to shoot macro or up close, you can mask certain details using light (or shadow) to show what you want and hide what you don’t!

Is it a whisk? A spoon? A grain of sand?

Traveling Crete #4

Landscapes, Photography, Traveling Crete

The small village of Sougia in the south-west of Crete has managed to remain unaffected by the growth of tourism in Crete. It is still a peaceful haven, with a long beach, we stopped there for a while and had lunch at a one of the beach side taverns.

In front of the village lies a lovely quiet long beach with coarse sand and crystal clear deep water. The beach starts from the small harbor of Sougia (west) at exit of Lissos Gorge and stretches to the east for 1.5km. This part of the long beach is not organized. Instead, the beach in front of the village offers umbrellas, showers, sports and a lifeguard tower. Along the beach there are plenty of tamarisk trees where you can find shade.

Greece, Crete, seaside village beach of Sougia

Moussaka was the dish I tasted here, and it was very good. I tasted it in an other place later and I have to say this was so much tastier.

Recipe for Moussaka: Components 3-4 aubergines 3 potatoes (optional) 0.7 kg of ground lamb or beef 1-2 onions around a glass of red wine 400 g tomatoes from cans or 5 larger grated fresh tomatoes olive oil Spices: ½ teaspoon of cinnamon, 2 tablespoons of oregano ½ teaspoon of ground cloves, salt, pepper, a pinch of sugar (or mix for moussaka) Bechamel sauce: 600 milk 85 g flour 85 g butter salt pepper, 25 g of grated hard cheese (eg Greek kefalotiri or Italian equivalent) 1 egg

This is going to be the one of many posts, so sorry 🙂 beforehand for the nearly same named posts.

52 Frames: Week 24: Shoot From Above!

Flowers, Traveling Crete

Time to look at things from a new perspective – this week, we’re going to Shoot From Above. Most images are taken at eye level or with the camera parallel to the horizon. With a high angle shot, we’re trying to get photos from an unusual angle, taken from above the subject and looking down towards what you’re shooting. Why ? Well, the short and sweet answer is – you get some cool shots this way.

I submitted the one of the table, but I wanted to post some of the droplets I captured this morning, yes, I shot them from above, but you cannot tell that from the photos. So I did not use them. I am going to do an other post just with them, but here are some of my choices of including some flowers also, naturally 🙂 My entry was not the most unusual, or original, but due to not being able to venture outside my yard due to summer flu my choices are rather limited.

You can shoot some cool portraiture by getting up higher than your subject. Food and product shots are also well-suited to being shot from above (just pay attention to your lighting and shadows). Oh, and let’s not forget flat-lays – you can go minimalistic or mega creative with your ideas here.

And of course, the evergreen favorite: landscape shots – whether natural or urban. Just position yourself somewhere high (and safe) and shoot scenes of what’s happening below -. Go a bit abstract and look down the mirrored facade of an office building.

Depth Of Field: Your DoF will help a lot here – do yo want to isolate your subject?; Go for a wider aperture like f/1.8 +. Want lots of detail in focus for that cityscape? Maybe f/8 or f/16 would be more suitable.
Composition: Look for lines and objects around that help create a strong composition, especially if your subject is isolated and at a distance.
Go High: If you can’t get to a height, try and make your camera do so – hold it up higher above your head and if you’re lucky to have a flip-out screen, that’s exactly the scenario that it’s there for! You could also mount your camera on a monopod, set a timer and hoist it up high to get a cool shot.
Selfie Stick: It was all the rage a few years ago, and the humble selfie stick can easily help out in this challenge.

Traveling Crete #3

Landscapes, Photography, Traveling Crete

Common trees in Crete are the tamarisk , oak-, chestnut-, pine-, cypress– and the evergreen plane tree (Platanus ). It is quite often found in the village squares, offering its shade to people. A huge plane tree, or platanos in Greek, can be seen at Topolia village in west Crete “Monument of Nature” after a day on the road we did not go to see it but we did stop in the village. I will post some photos of it later.

It is believed that 55 to 65 percent of the cultivated land on Crete is given over to olive groves, which contain approximately 30 million trees, so that the groves cover one-fifth to one-quarter of the island. And I felt it, I am surprisingly allergic to the bloom of Olive trees and at the end of May early June there was still some in bloom.

This is going to be the one of many posts, so sorry 🙂 beforehand for the nearly same named posts.

Traveling Crete #2

Landscapes, Photography, Traveling Crete

On the mountain roads we on more than one occasion ran into these goats with bells on their necks letting us know they were there. So this post is dedicated to the goats we saw 🙂

A Cretan mountain goats with a bell around its neck standing alone mountainside.

Shepherding is one of the oldest proffesion in Crete. Bells for sheep and goats were used all over Greece and Crete of course.

The bells were the pride of the shepherd and they were used to monitor the sheeps and goats. The quality of each bell as well as their combination was very important so that the flock will sound harmonious.

The Cretan bells are hammered bells with thin sheet metal and consequently have a low weight. In addition, they are plated with bronze and bronze which protects them from seawater.

The sounds of sheep-bells allow sheperds to know whether an animal is grazing, drinking water, or trying to get away from something or even to locate animals that have been lost.

a small sample of the sound of the bells

All traditional hand-made sheep bells sound different. These goats below we saw at Anatolikos Selinos.

This is going to be the one of many posts, so sorry 🙂 beforehand for the nearly same named posts.

Traveling Crete #1

Landscapes, Photography, Traveling Crete

After our trip as well as having back up issues, which are now solved, I got a summer flu. Not happy about it, it certainly has me tired.

I still am now aiming to get some pictures published. I will try to cover as much as I can, in the end I did not take all that many photos as I would usually take, but still I was able to capture some beautiful places and things. The flowers bloomed as it was early summer, the hills and trees were still green. I had not many expectations beforehand so I was nicely surprised of what this island had to offer.

The first picture above is from Mousoura area, at least that is what came as the location in my mobile photos, I took shot with my camera and also with the mobile so I would have the locations to remember. The village in these photos, if I remember correctly, is mountain village Lakkoi surrounded by the beautiful mountains of that area

This is going to be the one of many posts, so sorry 🙂 beforehand for the nearly same named posts.

52 Frames: Week 23: Triangular!

animals, Traveling Crete

Three’s company or a crowd… 🤷🏻‍♀️ – but in photography, we can use 3 “lines” to make a Triangular Composition – three lines in an image to create either an “actual” triangle shape, like a harsh shadow on the street, or hands raised above ones head, or a “perceived” triangle shape like posing a group of people in your frame, or cutting your frame in half with some diagonal shape (your subject’s limbs placed diagonally in your frame can make great perceived triangles in your frame’s composition). Other ways perceived triangles can be utilized in your composition could include the way a lamp casts light onto your subject, or a leading line taking you into the frame.

This challenge is NOT a request to find a triangle toy, or a triangular OBJECT and take a photo of it. This is a compositional challenge, as its name implies: Triangular COMPOSITION. Just like for the Rule of Thirds challenge, for example, wasn’t a request to go out and find tic-tac-toe boards!

Triangular composition is one of those “guidelines” in photography composition, that can enhance interest in your frame, if or when you can incorporate it. The purpose of this challenge is to first train yourself to SEE it. Once you understand where triangles take form in composition, you can then craft your own frame utilizing one of these techniques.

you can achieve triangular composition in many ways: by placing your subject’s hand on their ear, by catching the harsh mid-day shadow on a street, by capturing a long, straight road, that disappears in the distance.

This challenge is not (necessarily) referring to the “golden triangle”, the focus is more on these scenarios where you can identify regular ol’ triangles in your composition.

Be creative : let’s not be obtuse in looking for the right 📐angle. We’re all equilaterally🔺capable of acutely 🚩 good photos.

Abstract – icy

Flowers

“Abstract art is uniquely modern. It is a fundamentally romantic response to modern life – rebellious, individualistic, unconventional, sensitive, irritable.” – Robert Motherwell

“You can`t look at abstract art without thinking.” – Patricia Cole

“The longer you look at an object, the more abstract it becomes, and, ironically, the more real.” – Lucian Freud

52 Frames: Week 21: Inspired By A Photographer! #2

Black and White photos, People

Andy Gotts MBE MA he is a photographer based in London, England, and New York, USA. He is most noted for his black and white portraits of Hollywood actors and singers, but he has occasional color shots, but even they are in muted colors.

I did not have a anyone famous to take photograph of, but my trusted model stepped up for the challenge.

Whether it’s legendary photographers whose work you’ve come across in a gallery exhibition or cool, modern photogs on Insta (and 52Frames.com), there are so many photographers whose work inspires me. Sometimes it’s just the concept, story and creativity of the composition; at other times, I find the technical aspects to be just jaw-dropping.

Being inspired isn’t the same as a 1:1 copy – far from it, it’s about learning and picking up certain aspects and nuances from a fellow photographer. Look at the tones and color palette that’s used or perhaps the technique that made it a shot for you to recall.

Still not sure whose work you’d like to pay tribute to or can’t choose from your photo heroes? Use our friendly random prompter to help you out with some well-admired photographers and the genres they’re best known for.

Traveling Crete

Landscapes, Photography, Traveling Crete

I am back from my short vacation in Crete. I have some issues with ma back-up storage. So I have not been able save or even go through all my photos. I was rather good, I only pressed the shutter 701 times during the trip on my camera and some on my mobile 🙂

The week went by fast, we rented a car for three days so we got to see more than the beaches and tourist areas. I am going to post here one shot that I really like. It was on top of a hill in corner of the road leading up to the mountains.

This is going to be the first of many posts, so sorry 🙂 beforehand for the nearly same named posts.

Holiday

Cities, Landscapes, Nature, Photography, Travel

I am currently on my vacation here are few shots from my trip, but I will come back to this topic when I get back home. Oh by the way I am in Crete 😊

Abstract – pink tones

Flowers

“Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.” – Gerhard Richter

“Even abstract shapes must have a likeness.” – Willem de Kooning

52 Frames: Week 22: Everything In Focus!

Black and White photos, Landscapes

We’ve all seen wonderful images where a particular subject is in focus and the rest of the image is soft, so our eyes are drawn to the main element. This week, we want to see Everything In Focus. This is where your choices of subject, composition, lens selection and depth of field all come together to give us sharp images front to back.

Took this in Crete, it is from the entry to the Samariá Gorge. The gorge is situated in the National park of Samaria, in the White Mountains in West Crete. This majestuous gorge is considered one of the great attractions of Crete. It was created by a small river running between the White Mountains (Lefká Óri) and Mt. Volakias.
I took some with f/22, but as I did not have a tripod, the are a bit shaky. I think this is a sweet spot for these shot f/14

Stability: Use a tripod or some sort of support to eliminate any chance of camera shake.
Shutter Speed: A high enough shutter speed to freeze any motion in your shot will get rid of blurs caused by movement.
Depth Of Field: Focusing to infinity at the highest aperture (f/22) isn’t always the best choice. Picks an aperture that’s at the sweet spot of your lens – usually a few stops below the max.
Focus Point: Try focusing at different points – one third of the way in or half the way in and see which gives better results.
Focus Mode: Single will usually be a better choice than continuous. Also, consider using manual focus to get sharp images.
Live View: Use live view and zoom in to your focus point to see if it’s sharp enough and lock in your focus.