I am continuing to participate in 52 frames – this week the theme contrasting colors, as its still all snowy here in Finland trying to find contrasting colors in the nature is a real challenge, so I did not take it on.
I had oranges on the table – I have a blue wall in my living room, with light coming in from the side from a big window. I have a matching blue linen dress to place on the sidetable to get my still life props in order, Easy solution from thing found in the house.
As you can see all of them are VERY similar, with slightly different lighting and contrast , as well as the blue looks a bit different in all. This is something I spend too much time at… well that what I do, and then trying to pick a hopefully the best one for the challenge, second guessing my choice all the time.
To start with he photos were not all that good, but I liked the light in them, so I made the in to art.
Same road, photos taken right after each other, so the light is little different, I used two different brushes to get a different outcome by thete texture.
I love being on the beach, soft sand, the soothing sound of the waves and the color of the sea.
As far as capturing birds goes, Pelicans are one of the easiest. Bid photography is not my strong point, i don’t have enough patience and not the best equipment for it either. I can always try, I like the in the mood sense. It was a rather crisp and windy day, I even had to but on a jacket. I took these at Ocean ridge in Florida.
Boone Hall Plantation in Mt Pleasant was founded in 1681 when Englishman Major John Boone came to Charleston area. Major Boone was quite respected and he was elected to the colonial Grand Council during the 1680s, but was removed twice because he illegally trafficked enslaved Native Americans, became associated with pirates, and concealed stolen goods. However, having slaves in general was no problem, as we have learnt from history books.
The Grand Avenue of Oaks that was first planted in 1743
The house on the plantation the third of its kind, built in 1935 and not your typical antebellum house. But the plantation is one of the oldest plantations still in operation having produced agricultural crops for over 320 years. Much older are the brick slave cabins located along Slave Street which date between 1790 and 1810. Only nine cabins are left. Some of the bricks from cabins that have not been saved were used to build a serpentine wall for the main house.
Talking about the bricks! By year 1850 the slave laborers were able to produce 4 million bricks on a yearly basis. Most of the historic buildings in the historic downtown of Charleston were built from the bricks of Boone Hall and Fort Sumter, as well. Not that we saw any, but the fingerprints of these workers are still visible in the bricks of many of these historic sites. The agricultural tour didn’t go too much into slavery or anything unpleasant but some anecdotes made you wonder how hard living for the slaves must have been and the life expectancy must have not been too high. Times have changed but it still makes you wonder how that was even possible and did the owners ever think this is not right?
Unfortunately photographing was not allowed inside the house and the second floor was completely off-limits, as well. However, the stories presented by the guide were very colorful and entertaining. John Stone the man who had the latest house built liked to entertain he had many famous visitors to his big parties, like the composer George Gershwin, if my memory serves me right?
Driving into the plantation couldn’t be more beautiful with the grand Avenue of Oaks that was first planted in 1743 and completed by the in 1843. The avenue consists of 88 live oak trees and one magnolia.
When we arrived the the sky was still blue and the avenue was in totally different shade than when we left, the sun had already started to set and the avenue turned into beautiful yellow and orange tones. I took so many photos and trying to choose the ones I liked best was hard as you can see from the amount of photos I have here.
January probably wasn’t the best time to visit when you think about the surroundings. The Avenue of the Oaks might have been even more beautiful if the Resurrection Fern would have been in bloom. But you can’t do anything else but to love the Spanish Moss hanging from the trees. It gives the plantation or any surroundings such a lovely and eerie backdrop.
Even though arriving late afternoon we were able to manage to take part of house tour and the “agricultural tour”, meaning the tour of the grounds. Boone Hall Plantation consists of 738 acres. The landscape includes areas of cultivated, seasonal crop fields, preserved wetlands, creeks, and ponds. Boone Hall is still very active operator in the area in not only caters to tourists, but they organize many events to locals as well, for example, Halloween events. In the beginning the main products of Boone Hall were indigo (used for coloring the uniforms of British troops), rice and cotton. The production of cotton was discontinued in 1880 because the plantation could not compete with other plantations that were using machinery.
The cotton dock on the river had been rebuild lately.
Ryan Reynolds and Blake Lively who were married at Boone Hall Plantation in 2012. Ryan Reynolds have regretted having the wedding there because of the historical reasons.
Driving from Boone Hall towards Charleston during sunset was treat. We hit a traffic jam but on the other hand taking pictures of Wando River and Don N. Holt Bridges became much easier. Especially Don N. Holt Bridge provided a nice back drop for the orange sunset. Driving across the bridge we experienced very familiar smel,l to us Finns, like rotten eggs. And sure enough we saw a paper mill. Later on, I read from online news that the mill has become one of the dirtiest polluters in the United States since being acquired by an investment group led by Robert Kraft, the billionaire owner of the New England Patriots football team. Go team!
Unfortunately we got to the town center after 5PM so we did not have much light time to take photos of the buildings, also there were so many people around that getting a shot was a challege. This is clearly a tourist area with lots of shops and restaurants and bars in these old buildings.
The 29th Annual Nights of Lights was still going on so the there were plenty of lights. Our stop in was quick, one night only so we did not see all that much of the city. We ended the evening looking at the moot at Castillo de San Marcos
You can’t stay in in St. Augustine without visiting the Castillo de San Marcos, “St. Mark’s Castle”. It is the oldest masonry fort in the continental United States. The construction started in 1672 and finished in 1695. The fortress is made of coquina stones. The fort was declared a National Monument in 1924, and it was deactivated in 1933 after 251 years of continuous military possession.
I have been away from my computer, and photos for a long weekend visiting my son and his family. So obviously I have missed a lot. Here are some more winter wonderland shots from last week
I am just going to put this here, as I went out today to take winter photos, I need to go through them. This is the first ones I am going to post. At this moment the sun was still shining. This Lane/ road looked so lovely I ad to stop to photograph it. Hope you enjoy it too.
The joy of sunshine, the past weeks we have not been blessed with lots of sunlight, but today, of the glorious weather with snow coved trees, blue sky.
I stepped out and took shots to all four directions from or house, and it looked lovely everywhere,white powder snow, blue sky and even the temperature was not that bad -7C ( 23 F ) I am going to post a shot also when its not shining and it looks OK, but there is a difference. On this happy note I wish everyone reading this post a lovely weekend!
10 AM looking east towards the road
at 10 AM View to our south facing backyard 10 AM looking North, this is the view from my office
10AM facing west looking at the spruce and birch trees on a upward hill
Lepis kindly made a patch to celebrate us once again surviving the deadliest month of all, November.
Here we are December, I have taken few days to recover from daily posting. As nice at it is listening to music it was hard trying to find every day a photo to match.
I am once again in silence, I think I need to but the music on. I also noticed a slight blue in the sky… it has been gray day out lately. Maybe this will cheer me up
Trying to figure what to post as nothing is really catching my attention. I can go through my archives, there are tons of photos I have not posted, I could re-edit them.
“I know I have gotta find somekind of peace of mind” The brokenhearted, I put the music on 🙂
Time to have a cup of coffee ☕and have some pastry with it and take a photo.
I also need to catch up on commenting and replying to your comments, thanks to all already for doing so !
Take a moment. Look at something, anything around you – what do you see? What do you notice? That’s right – our eyes take in the big picture, but then move in closer to see the Details. That’s just how we humans work – we instinctively want to look at things and then parts of those things.
Frost on leaf pedal
I am often post details, one of my favorite ways to show you how I see the world around me. So much beauty can found near and far in small or sometimes big details.
I have taken macro shots of nature this week and it fits this topic ever so well. The others are from my archives.
The wrinkles, special features and texture of our faces in portrait. Capturing fine, rarely seen details in a macro shot – maybe abstract, or in Nature. Maybe it’s that detail on the building you pass every day, but rarely take a moment to notice.
wrinkes around the eys
rough life?
Craft an image that shows off the details of your choice of subject. Focus, contrast and composition will play a key role , so it’s both a creative and technical challenge
By capturing an image and looking for the picture within a picture, you’ll be able to capture exquisite details that you’d probably normally overlook. When you start noticing the details, a world of new and possible images opens up to you.
I love taking photos of machinery, rust the photographic details there are to be found
This week we’re combining two distinct genres to form Black and White Minimalism. Black and White photos, inherently feel a little minimalistic. Using a composition that’s minimalistic, like having negative space, really adds to this unique shooting style.
Simply doors, as interestingly as I could
Negative space
Black and White minimalism usually yields a very clean and clutter-free aesthetic. A strong subject will draw the viewer’s eye, and a lot of negative space around your subject will support the main “star” of your frame.
OLYMPUS DIGITAL CAMERA
You can create minimalism with negative space, and you can also use light and shadow by only lighting your main subject and leaving the rest of the frame in shadow (low key) or by lighting your background bright as well to create a high-key look.
But, in particular for this challenge, do remember that: Less Is More 🙂
October landscape
Be Direct: Simple does not mean boring. try to tell a story and convey emotion with as little clutter as possible.
Negative Space: Take advantage of negative space. The “empty” space in your photo will draw the attention of the viewer towards the main subject, without being distracted by other items in the photo.
Leading Lines: Use concepts like leading lines to guide your viewer’s eye to the image.
Shoot in B/W: Many cameras have a black and white mode – use that to help make things simpler when previewing the shot you’ve just taken rather than having to post-process later.
Tones and Contrast: There are a multitude of shades and tonal ranges that can be adjusted to bring out depth and textures, especially in a Black And White shot. Consider adjusting those for different looks for your image.
Shooting Through Something – basically have something between your lens and your subject that “interferes” with the viewer’s view of your subject. It could be something as simple as leaves in front of your lens. Or if you wanted a more dramatic effect, you could use a piece of glass like a lens ball, a prism, a magnifying glass, etc.
I went out to to capture nature, carrying two camera’s, nearly broke the other by dropping it on the ground, if I’d succeeded it would have been my third camera I dropped and broke. I went out with the intention of trying to shoot behind the trees and leaves, I also did that. I brought some plastic wrap with me to use as a prop. I took this shot placing it on the lens, shooting towards the sun so the flare came nicely on the shot and also gave the shot a misty quality. The autumn colors play a big part in this image of an inlet in Kirkkonummi.
Through cling film
A thin plastic bag or kitchen plastic film (cling film / Saran wrap) over your lens can produce some very creative looking effects too, but you really don’t NEED any special props this week. The idea is that if something is very close to your lens, and your focus is further away, you will create a dreamy, shoot-through effect. This is of course more exaggerated with a shallow depth of fields (wide aperture, smaller f/ number). Go ahead and experiment and have fun!
You could do portraits or street photography by shooting through a window with some reflections showing up, or go the creative route and use vaseline on an old lens filter
The idea is that your foreground, even if it’s blurry, becomes part of your story. So, let’s get creative in a new way.
autumn colors through cling film
Grandchild through beer glass
TIPS:
Refraction: There are tons of ways to use glass to bend and shape light – a wineglass, a magnifying glass, a prism, a lens ball, shooting through a colored pane of glass etc.
Use Nets: A net or thin grid can add some creative effects. If you’re too close, of course, you might not see the effect, so distance yourself appropriately.
Use Plastic: Kitchen film wrap can be used creatively – you can draw on the film to make creative colors and interference patterns without ever harming your lens. How about that empty plastic bottle of water you were about to toss away? That can work too.
Rule Of Odds. Simply put, there’s a school of thought that multiple subjects in a shot are more pleasing if there are an odd number of them, as opposed to even. Think 3, 5, 7, etc.. The number “one” is technically odd, but I don’t think that’s what this “rule” is referring to.
Often an odd number of subjects creates symmetry in your shot – use an odd number of things for the viewer to focus on without making it too cluttered. If you have people subjects, go for 3 or 5; maybe food photography is your thing and you want us to check out some tacos you’ve just made. Or if you’re out and about – maybe you spot 3 birds sitting on a wire. Oh look, it’s five canoes moored together at the lake – all it takes is for you be to a touch more aware of what you see and try and train your mind to compose in odds.
Buy your tickets here
Remember not to over-crowd the image with too many elements. The average human brain has a better chance of feeling attracted to arrangements of 3 or 5 elements, but as you increase that number, this rule will be less relevant.
Still life
TIPS:
Movement: Add dynamism and a feeling of movement by composing shots with good space on the correct side, usually more space in the direction of the movement.
Cropping: Consider using cropping in your editing software to improve the composition. When done correctly, it can improve things immensely.
Positioning: Try to align vertical elements such as buildings, people walking on the street or a solitary tree along a gridline to generate more visual interest.
Less Is More: 3 to 5 objects of interest in a scene usually work best. Avoid making your image cluttered.
DoF: Use an appropriate Depth Of Field to ensure good sharpness across all your subjects.
Since I do post editing on my art, and my photos, I also do several variations of them, so this is great challenge for me to participate in LAPC #220 One Subject Three Ways. These are very similar, but slightly different –by zooming in on the details or stepping back for a wider view. Sorry, there is four images and a header. 🙂
End of the path
Summer season ended, we closed our summer house for winter on this beautiful October day. The autumn colors are so lovely.
Lower view of the path
and lower you go still keep the focus in the front
Place the focus to the end of the path, and you get a different mood.
It’s all about your creativity and what you come across. You could shoot some cool looking signs in your neighborhood or capture the emotion of someone reading a heartfelt greeting card.
This week’s challenge is more about getting the feel of the story than anything else – like the sheer happiness of reading a college admission acceptance letter or contemplating wabi-sabi in an abandoned carnival sign.
Buy your tickets here
Capturing emotion in an old-school task of penning one’s thoughts to paper is about patience and composure – your own as well as that of your subject. So, just breathe and take a think about what it is you want your viewer to see through not just your eyes but also your subject’s.
Getting typography shots isn’t something you might have thought of shooting earlier , but here’s your chance to try something new. Look out for cool and funky letters and fonts that are worth a dekko – you never know what you’ll find unless you start looking.
Visiting the circus In Helsinki
DoF: Depth of field can play a role here to show just a single line or word while blurring out the rest. Or to ensure that you’re in focus, front to back.
Contrast: Consider playing around with local contrast to give that extra boost to individual letters.
Cropping: If you want to showcase shapes that look like letters, cropping down is essential to eliminate other clutter.
White Balance: Modifying white balance can alter the tone of your shot. Use warmth, cooling and tints to give mood and depth to your image.
Here are some letter I’ve picked either this week, some from further back. My Signature is letters?? so I added it here. This weeks fresh letters are from the circus and I decided to go with the one with the first shot. I would have loved to use some of the older ones, but that would be cheating. So
Autumn iis about letting go of summer and preparing for winter. Greens give way to dead stems and yellow drooping leaves. Darkness slowly takes over the time of light, but how beautiful it can be at the beginning of autumn🍂
yellows ang orange, in a misty settingLooks so pretty!
What clouds, I loved the contrast of the dark clouds against the autumn color by the road as we drove in to the rain and finally to the otherside of it towards the raindow.
This week it’s One Light Source. I’m talking directional light – your subject ought to be lit by light coming from a single source – think speedlight or a shaft of sunlight coming through half drawn curtains. It’s the light source and direction that you need to think of first, before you set up your subject and decide on a composition.
This challenge is all about reminding ourselves of what it takes to paint with light – directional light need not be a harsh burst to produce sharp shadows. You can arrange for soft light to come through for a more pleasing look as well.
Look to place light at angles you’d normally not think of – a full side profile or light streaming down from a bare bulb on the ceiling, maybe a night shot illuminated by a neon sign or the perennial favourite of Silhouette Photography – it’s time to be creative and play with the light.
This was my entry
Well, this is what happens every night. My husband reads the latest news before going to sleep. Once again, I had lots of ideas, but ended up taking the easy way out. I was thinking of what to shoot and there it was laying next to me, mobile phone as a light source, so I took my phone and took a shot of a situation I see daily. How more real can you get, a documentary shot. Thanks babe, once again for being a good sport.
I also took a shot with my grandson holding a candle, and match being scratched
Set-up: Plan your lighting and concept before thinking about the actual composition.
Time Of Day: If you’re planning on shooting using daylight/sunlight as your source, experiment with how the light and shadows will play out at different times.
Modifiers: Reflectors, blockers and light modifiers are going to be key here to help shape the light.
Exposure Compensation: Consider using Exposure Compensation to expose the image as you think fit and not as your camera’s AI / sensor does.
We had an amazing weekend to capture, clouds and reflections.
These are taken at lake Pikku-Kukkanen (Small flower) I was able to capture beautiful reflections on the lake and there were two swans further away, so I really missed noth having my camera with me. In the first shot the exposure was low so the clouds came out really dark. I like the intensity of the atmosphere.
Reflectiond on Lake Pikku-Kukkanen in Nastola, FinlandLake PIKKU-Kukkanen
We had an amazing weekend to capture, clouds, mist and rainbows as the weather was mostly cloudy, but few moments of light. I happened to be in those to capture some beauty. Most are taken by mobile phone, because, well it was so cloudy when we left, and I thought that there would be nothing to photograph. How wrong I was! I usually have my camera with me, once again a great reminder that, Ritva, keep it with you, you never know what you can see.
These are taken at lake Iso-Kukkanen (Big flower) I was able to capture beautiful reflections on the lake.
Reflectiond on Lake Iso-Kukkanen in Nastola, FinlandLake Iso-Kukkanen
Well, there’s more to it than meets the eye, of course – your location, time of day, and the willingness of a stranger to be kind enough to take some time out of their life to help you (a stranger yourself to them). But there’s magic in a camera – some people just open up when they know they’re the focus of a well-crafted photograph.
There’s creative and technical hurdles here too – one of the more important ones being time – you’ll have far less time to compose and take your photo(s) than you would if you had pre-arranged a shoot. You could grab a candid shot or something more glamorous; go low-key to get a moody and intense look. It’s portraiture after all and the images you can get are as varied as there are humans on the planet.
You’re about to experience a shared moment with someone you’ve never met before.
Please don’t shoot from the hip. Talk to a person. If your palms get sweaty just thinking about it, like me, then go with an easier subject, like your local coffee barista, mailperson, or waiter.
Don’t over think this one, other people are just you in a different rental.
Visiting a nice Italian restaurant in Lahti, I asked our pretty waiter if I could take her photo. She kindly agreed. Haven’t been out much this week as it’sbeen rather rainy, so the chances of taking photos once again happened nearly at the last day. I thought of cropping it to a more portrait, but as it was an at during her work time ,capturing a moment photo, in her busy shift, I wanted it to show the place and to highlight what her job was ,to give context to the shot. Iussed thhe last photo in this post.
warmth of the golden hour
TIPS:
Be Friendly: A warm welcoming smile can work wonders
Be Patient: People might be busy or not trusting a stranger. That’s ok. Respect their space and choice and look for someone else.
Be Prepared: Keep your camera ready with appropriate settings. Scour out cool backgrounds or locations near by.
Be Mindful: Do not shoot someone without appropriate permission especially children. Be respectful of people, places and occasions where it might be considered impolite or discourteous to be shooting – like funerals or religious places.
Ritva Sillanmäki Photography 