52 Frames: Week 23: Triangular!

Three’s company or a crowd… 🤷🏻‍♀️  – but in photography, we can use 3 “lines” to make a Triangular Composition – three lines in an image to create either an “actual” triangle shape, like a harsh shadow on the street, or hands raised above ones head, or a “perceived” triangle shape like posing a group of people in your frame, or cutting your frame in half with some diagonal shape (your subject’s limbs placed diagonally in your frame can make great perceived triangles in your frame’s composition). Other ways perceived triangles can be utilized in your composition could include the way a lamp casts light onto your subject, or a leading line taking you into the frame.

Mountain goat

This challenge is NOT a request to find a triangle toy, or a triangular OBJECT and take a photo of it. This is a compositional challenge, as its name implies: Triangular COMPOSITION. Just like for the Rule of Thirds challenge, for example, wasn’t a request to go out and find tic-tac-toe boards!

Gorge

Triangular composition is one of those “guidelines” in photography composition, that can enhance interest in your frame, if or when you can incorporate it. The purpose of this challenge is to first train yourself to SEE it. Once you understand where triangles take form in composition, you can then craft your own frame utilizing one of these techniques.

Tree on the hillside in Crete

you can achieve triangular composition in many ways: by placing your subject’s hand on their ear, by catching the harsh mid-day shadow on a street, by capturing a long, straight road, that disappears in the distance.

Triangular Composition

This challenge is not (necessarily) referring to the “golden triangle”, the focus is more on these scenarios where you can identify regular ol’ triangles in your composition.

Be creative : let’s not be obtuse  in looking for the right 📐angle. We’re all equilaterally🔺capable of acutely 🚩 good photos.

Traveling Crete

I am back from my short vacation in Crete. I have some issues with ma back-up storage. So I have not been able save or even go through all my photos. I was rather good, I only pressed the shutter 701 times during the trip on my camera and some on my mobile 🙂

The week went by fast, we rented a car for three days so we got to see more than the beaches and tourist areas. I am going to post here one shot that I really like. It was on top of a hill in corner of the road leading up to the mountains.

Coffee break under the tree

This is going to be the first of many posts, so sorry 🙂 beforehand for the nearly same named posts.

52 Frames: Week 22: Everything In Focus!

We’ve all seen wonderful images where a particular subject is in focus and the rest of the image is soft, so our eyes are drawn to the main element. This week, we want to see Everything In Focus. This is where your choices of subject, composition, lens selection and depth of field all come together to give us sharp images front to back.

Took this in Crete, it is from the entry to the Samariá Gorge. The gorge is situated in the National park of Samaria, in the White Mountains in West Crete. This majestuous gorge is considered one of the great attractions of Crete. It was created by a small river running between the White Mountains (Lefká Óri) and Mt. Volakias.
I took some with f/22, but as I did not have a tripod, the are a bit shaky. I think this is a sweet spot for these shot f/14

Samariá Gorge
  • Stability: Use a tripod or some sort of support to eliminate any chance of camera shake.
  • Shutter Speed: A high enough shutter speed to freeze any motion in your shot will get rid of blurs caused by movement.
  • Depth Of Field: Focusing to infinity at the highest aperture (f/22) isn’t always the best choice. Picks an aperture that’s at the sweet spot of your lens – usually a few stops below the max.
  • Focus Point: Try focusing at different points – one third of the way in or half the way in and see which gives better results.
  • Focus Mode: Single will usually be a better choice than continuous. Also, consider using manual focus to get sharp images.
  • Live View: Use live view and zoom in to your focus point to see if it’s sharp enough and lock in your focus.