Something I noticed #30

Something I noticed is back, odd shots of ranbom things.

Rust always , well most of the time, looks great in photos. This rusty thing is from 1970.

Detail of a rusty machinery from 1970

Beautiful in Black and White 1

I love black and white photography, I think portraits are more expressive and intensive in black and white. Same applies to photos of objects and architecture and stormy weather looks great in black and white images. I will post some of my summer photos that I think look great in grey scale under this title… how many is still a surprise for me too.

Fishing net and fishing boat on land at Hailuoto

This is the first one I did, and it encouraged me to continue as I liked the result. We visited Hailuoto this summer and I was at first sight drawn to the landscape there. Below some information about the area.

Hailuoto is the largest island in the Bothnian Bay. The island started to rise from the sea approximately 2,000 years ago and continues to do so. Eventually the island will adjoin mainland. The island has been inhabited for at least 1,000 years. Fishing was naturally essential for the islanders as was agriculture. By the end of the 19th century, population on the island had reached 2,000 inhabitants but by the 60’s and 70’s started to fall. In 1980, the number of inhabitants had dropped below 900, but since then has increased again steadily and is now around 1,000 residents.

Hailuoto natural environment is an asset and we do our best to preserve it for future generations by different conservation programmes.  Protection covers birds, shoreline and unique esker formations. The rising shoreline is constantly changing and thus forms a living conservation area. The built environment in Hailuoto is characterised by well-preserved traditional buildings and therefore, together with its unique nature, Hailuoto was designated one of the national landscapes in Finland and actually the only one with national landscape covering the entire municipality. (https://www.hailuoto.fi/en/info-2/information-about-hailuoto/ )

52 Frames: Week 35:  Edited By Someone Else!

This week we want you to release your artistic expression by having your image Edited By Someone Else.  The point of this challenge is to gain insight into the creative process of another person and see how their interpretation would perhaps differ from your own.

Seeing different creative strokes can not only help to broaden our own understanding of other styles, but also help us to grow on our photo journey. I want to thank Pirjo Tuominen as she kindly edited my photo for this weeks challenge.

Pirjo Tuominen edited this photo of me.

Below you can se the original and the three different edits, I am sure you are able to pick the original easily that has no edits at all 🙂 I did not take time taking this mobile phone shot, I had my phone in the position that I have while i read something on it and I took the picture. I didn’t have other makeup than I had done my eyes 🙂 Now that I look at it, a foundation would have made a difference to the skin.

Sunflowers

I took this opportunity to share some new stuff, I took these yesterday as the season changed in a day.

Sunday we had temperatures of 26C and over night summer ended and autumn temperetures came on us. It was 16C and it felt cool, not cold.

My husband had a week earlier cut these sunflowers from the field for me. Yesterday tthese sunflowers looked like how I felt about the seanson change. From Happy to Sad just like that.

I have been thinking

that is such a original title, it sure gives you a reason to read this post.

I have been doing a little bit of thinking lately, about my photography, and my feeling about social media. As I’ve been having issues with my compter and back-ups and all problems, delays that has followed from them, I am so behind with my posts. Or am I?

Green leaves and droplets

I have been sucked in to this notion, that if you don’t share your photos straight away they are not relevant anymore. Everyone posts their photos direckly from their mobile, even from the location or at least the same day. I do that occasionally too, of coarse I do, but I take most of my photos with the old fashioned way, with a camera. I take time to look through them, edit them and then post them. Due to that, I am always posting at least a day or two later than the day I shot them. Are they still relevant question them comes to mind.

Droplets and reflections

Stupid as it is, it feels like that, and it shouldn’t. This summer it has been a real problem (or not) as my problems have caused me to wait weeks to download them and to do what I do with my photos. Sharing photos on Facebook or Instagram weeks after feels like I am totally late. Should I post at all ?

This has caused me lack of inspiration to post anything, like who cares, really. It is all in my mind, and I know it is totally stupidity on my part. Who cares and knows where I am and when…

Having said all this I’ve decided to start posting photos I took this summer. I did not take as many photographs this summer as I usually do, one of the reasons been the the issues I have been writing about and the other is I feel that I have taken so many photos of the same places and things that I ended up not carrying my camera around with me.

Wow, haven’t written this much in a long time, if you read this far, thanks! Tell me what you think about this topic, if anything 🙂

I need to add a couple photos to this post, well that is what i usually do, post photos. As this is such grumpy, self-defense, teary post. Droplets will be the theme.

52 Frames: Week 34: Peace!

Through the hustle and bustle or the humdrum everyday lives we lead and see around us, we come across small moments in time that make us stop, take a deep breath and slow down. We’d like to see you capture a moment of Peace ☮ this week.

Have a little think about any places or scenes that calm you down or center you – a tranquil lake setting, a walk through a wooded path with a close one or something close to home like your grandpa taking his afternoon siesta. It’s all about the image evoking a feeling of serenity, calm and tranquility.

August Sunset at the countryside, this was my choice this week

The idea doesn’t necessarily need to be minimalistic , all that matters is whether the viewer understands the point of view and story your photo ought to be showing. The lighting and overall color tone of the scene will be important too, so please spare a thought for those aspects too.

There are tons of places, people and scenes that can convey this purest of emotions; so as we usually say, take a few deep breaths, center yourself and take your shot.

Peaceful moment at the beach

I have been at my summer house. One word, that can be said about the place is that it is peaceful. Hardly any neighbors, no traffic sounds. Silence, if you do not take to account the natures sounds. I took shot of this tail of the sunset ( aiming the camera towards northwest) the colors towards west were so vibrant, even if the moment was peaceful the colors would not convey that. So I turned towards the more muted tones. I had several ideas for this week, but did not get anything done towards making them become reality, planning is not enough. I hope this shot still shows peace.

The shots below show the vibrancy of the sunset and even if it was peaceful the colors do somehow tell the story, or what so you think? The blues in the last shot say it better, no ?

Peaceful moment at the lake

Something I noticed #29

Something I noticed is back, odd shots of ranbom things.

We went to visit an antique warehouse and I saw these wedding shoes from 1955. Bling 🙂

Wedding day shoes from 1955

Sailing to marina

I am in a slump, you know, I want to do things, I paln to do things, it is my intention and then, I do nothing. Here is one thing I decided to do, and finaly did. A post,

I took these yesterday at Porkkala Marina, we had a lovely brunch there and saw of this wonderful old sailboat, sitting at the dock wathing the ripples on the water. So peaceful…

52 Frames: Week 33: Water!

Water – just like us humans, comes in all sorts of shapes, sizes and even colors. It’s universal and something that is absolutely essential to life on this planet. We hope you’re inspired enough to make the most of the topic.

If you have follwes me for a long time, you should know I love the sea, lakes and all water views, I take lots of photos of photos of them. I have also come into a habit of taking shots of water bottles in restaurants and cafes

You could, of course, go with a classic landscape / seascape bringing a sense of majesty to your image or perhaps go with a more down-to-earth shot of kids having a pool party

the turquise sea in Australia
water
Sea in Florida

Maybe a shot showing off your technical chops with water droplet macro photography is more your style. Why not showcase the immense power of water crashing against a shoreline or go entirely the other way and take a serene shot of tranquil and still waters in a long-exposure image?

Splash in a glass 3

Don’t feel restricted by needing an external location either – you can get epic water shots inside your home too. Try getting a creative still life shot by using water as a prism. Or use it to enhance a portrait or with food photography.

The possibilities are boundless. 💦

The shimmering sea
Water and juice

ISO: There’s a lack of light – so remember to adjust your ISO settings appropriately, the higher you go, the more digital noise you will encounter.

Long Exposure: To compensate for the lack of light, long exposures work well for getting sharp images of static subjects like cityscapes and smoothening water ripples. Anything under 1/125 you want to rest your camera on a hard surface or tripod.

Light Shaping: Use lights to shape the exposure – you can isolate your subjects more easily since the background will most likely be darker due to the absence of ambient daylight.

Shoot Manual Mode: Consider shooting in Manual mode to correctly adjust parameters to get your desired exposures.

White Balance: Artificial light in urban areas can add different color casts to your image. See if adjusting the white balance can add more depth to your image.

Random shots – droplets

Let the photos speak, not that many words needed. After rain.

Beautiful light on the coloful berries
Reflections on a water droplet

52 Frames: Week 32: Night Photography!

it’s Night Photography this week.

This was last weeks challenge, but here I am posting about it now. I have several night shots that I like, but not being able to use them. And as I was visiting relatives at this time I was not able to go and take photos during night time. On our drive home I took this shot of the moon, think about it from a moving car, not too bad, slightly painternly look it has, but all and all, I am rather happy with it.

Somewhere in Southern Finland on the road home, this moon lit the way for us

The thing about not having that sun around, is that everything is darker! In order to get more light to your sensor, you’ll want to slap that camera onto a tripod. or rest it on a flat surface, and set your shutter speeds to lower settings, like multiple seconds, and the night scenes in front of you will come alive!

Taking shots, illumination of neon signs or street lights lend a completely different look and feel to the very same location than if it were shot in daylight.

Hong Kong night life

Ever taken portraits at night of a subject lit by a storefront window? Not all night shots need to be taken outside the house – some very creative shots can be taken inside too. Have a think on that!

Shop keeper in Nice

Get creative with light painting or try and capture the moon- night time is just magical for photography. 

If you live in a part of the world where the 🌞 is still up when most other places are much darker, that’s cool too.

Summer evening

TIPS:

  • ISO: There’s a lack of light – so remember to adjust your ISO settings appropriately, the higher you go, the more digital noise you will encounter.
  • Long Exposure: To compensate for the lack of light, long exposures work well for getting sharp images of static subjects like cityscapes and smoothening water ripples. Anything under 1/125 you want to rest your camera on a hard surface or tripod.
  • Light Shaping: Use lights to shape the exposure – you can isolate your subjects more easily since the background will most likely be darker due to the absence of ambient daylight.
  • Shoot Manual Mode: Consider shooting in Manual mode to correctly adjust parameters to get your desired exposures.
  • White Balance: Artificial light in urban areas can add different color casts to your image. See if adjusting the white balance can add more depth to your image.

Issue solved

What a week!

I am no IT Guru, in anyways and it has been obvius as I have now taken my new computer to use. I set it up myself, added all the safety programs I had previously, I also have once again uploaded my editing tools that I use. Unfortunately all the edits I had in my lightroom on the old computer were lost, and as my new back up, that I just bought broke, which had all my new photos and their edits. I now have to do them again, that includes my Crete photos, fortunately I had those all so on the compurer and was able to send them as a zip file to myself, so I did loose them altogether.

Today I had an interview for a job as a team interview, and a new problem came up with the sound… I so love and hate this technology.

Anyways, what I am trying to say is, I am now back in action. All I have to do is edit all my photos again, (practice,makes you better if not perfect! 🙂 ) That I have taken this year, and that I am able to access. Some are now lost for good. Now on, I am going to do a back up monthly, or maybe I should do it as soon as I add new photos and have edited them. What are the chances that I will loose back up and computer at the same time…

Here are few love locks from Tampere, I shot them week ago 🙂

Computer issues

This summer has had some technical issues that I would not have needed. First I had the issue with back up, my hard drive was full, couldn’t store, upload my photos, so I did not edit my photos due to that issue. Summer vacation came, which was 😊 great.

Took photos as we took short trips here in Finland. I did start to edit them, but once again I was encountered with a problem. My computer would not open any of my editing programs, Lightroom for example, I was not able to open any of my folders in those hard drives I got earlier in the summer. My computer signed off. I had to buy a new one which I got 5 days ago, but as I am at the summer house and the computer arrived back home an hour after we left on come here it is now waiting at my neighbors for me to go back home to get it.

Shortly, I have done very little photography and even less editing. I have been on holiday even from blogging, but soon, sometime next week I will return.

I have eaten some nice meals 😊

52 Frames: Week 31: Choose Color!

Look around and we’ll see something we take for granted – color. Our wonderful world is filled with it, so this week we’re asking you to Choose A Color. Make that color the theme and inspiration behind your image. Colors evoke moods and feelings – how you choose to compose and use them is what will guide the viewer through the image.

Choosing to focus on a single color in particular is both creative and good use of light, contrast and saturation is what can make or break an image. Pick a color and make it the dominant and outstanding and leave no doubt about which color you wanted to make the main point of your shot.

I am having huge problems with my computer, so much that I need to buy a new one, so these are old shots that I have here already used in my previous posts over the years. I am not able to access my computer files, or additional hard drives to add photos or load new ones from the camera disk. I am able to access the internet for now, so I am using these here this week.

Think landscapes of rolling green hills, or food shots of red chilli peppers or the all encompassing golden color at sunset – there’s a noticeable dominant color there and that’s what we’re looking for.

orange
Green
  • Composition: Compose your shot so there’s no doubt as to which color you’re trying to use. Think about any emotions or moods your photo can evoke and bring that to the forefront. You could use a lot of negative space to direct interest to your subject or go in full-tilt and fill the frame
  • Lighting: Lighting and shadows add depth to an image and can change an image dramatically. An underlit and underexposed image brings to mind a different mood than a bright, well-lit one.
  • White Balance: . Using and adjusting white balance while taking your photos will be valuable
  • Contrast: If there are multiple colors and shades in your image, ensure that there’s one that’s visibly up front and recognizable – it contrasts and stands out from the other shades and tone of the image.
  • Post-processing: Feel free to go nuts with post-processing and editing to render some cool color effects. But remember, less is more.
Blue

52 Frames: Week 30:  Single Focal Point!

This time around, we want you to look closer at a Single Focal Point. This is not a technical challenge, it’s more compositional in nature – guide your viewer’s eye to a distinct part of your image. There are a number of ways that this can be done – depth of field can make it so a subject is in focus while almost everything else is blurred; or you could use negative space and a minimalist composition to draw in the viewer to one part of the image. Sometimes you can also use light as a frame to guide the viewer’s perspective to your subject – think spotlight and light shaping.

These photos I took from a car ferry while on my way to visit a small island of Högsåra were one of my ideas to this topic. Strong Focal Point: This is pretty much the crux of the challenge – but it matters the most: choose a strong focal point that’s easily identifiable as the main point of interest of your shot.

It’s all about tuning out the distractions and taking your viewer to the exact spot in your image you want their eyes to well… focus on. You might also want to consider getting some help from your editing software with vignettes, color pops and contrast to make your desired subject stand out. Even better, use a combination of these techniques and other skills to get this challenge sorted.

Depth Of Field: Use a shallow depth of field to isolate your subject. You might also want to consider getting some help from your editing software with vignettes, color pops and contrast to make your desired subject stand out. Even better, use a combination of these techniques and other skills to get this challenge sorted. That’s what I tried here with my strawberry shots.

Leading Lines: Think of using leading lines to guide the viewer to your intended point of interest.

Leading Lines to guide the viewer to your intended point of interest in mind I took these images of old buildings and this lush road. Consider using some sort of frames to bring in the watcher’s attention – a window, slats of a fence or some tree branches; shooting through something can also work to steer attention to your focal point.

Color Contrast: Contrasting colors help the eye to easily differentiate the subject from the background

I had this n mind when I took this image from an old mill window in Mathildedal, contrasting colors help the eye to easily differentiate the subject from the background.

52 Frames: Week 29: Common Object!

This week, we’re looking to shoot a Common Object. And isn’t that what photography is all about, really? Taking the mundane and shining a different light on it. Highlighting an object or scene that we normally pass by with no notice, and making it something special.

Think about all the common objects you can see around you right this moment – a bottle, socks, a pen, eggs, coffee mugs, perfume vapor, cell phone – the list of subjects you have this week are endless.

beads

I once again left this to the last minute, being on holiday it is all about being lazy, or not if you are married to a man who needs something done every day. So this week we have re-arranged our sauna / guest room furniture, got rid of some stuff, bought some new to replace the old one. Re arranges the kitchen cabinets, put up new shelfs. We gave a away a car load of old furniture to be recycled to a flee market. A car load of stuff to the be recycle center. Busy with ordinary, common objects, but it never crossed my mind to take photos. Today, last day to give in the submission I took some photos of common objects.

I often wear costume jewelry, so common to me. I drink coffee, wine and my hubby enjoys whisky. These are some finds from the cottage. Also these old glasses I found whilst our cleaning spree.

Now the challenge is to simply make the ordinary look extra ordinary, or at least photographed well. You could try focusing on a particular detail or texture. Or perhaps show how you use it in your day-to-day life. Tell a story about how something mundane and ordinary can be a valuable part of your day.

Sailing at sunset

what is life with a occasional glass of wine or a cup of coffee

Old coffee cups

TIPS:

  • Selection: Start at the very beginning – pick an object that speaks to you – whether it’s your car keys that you pick up everyday, or the chef’s knife you use to prep dinner.
  • Composition: Arrange things how you want them – the great thing about common objects is that you can arrange them as you see fit; you’re not restricted by an inability to pick things up and move them around.
  • Tones & Colors: The overall look and feel of the colors in an image evoke different senses and emotions – do pay attention to the composition of colors and overall tones in your image, in terms of being complementary or adding contrast.
  • Balance: This is all about the visual weight- obviously, larger objects that fill the frame are meant to hold the viewer’s attention the most. Certain items can add nuance and help balance a frame without taking away from the main subject.

Traveling Crete #10

Some atmosphere photos from Chania old town lanes and the harbor area from an other perspective

52 Frames: Week 28: Silhouette -v2

Photography is drawing with light and this week’s Silhouette challenge firmly shows us that. A silhouette is about bringing together contrasts of a well-lit background against a dark subject, making the subject’s shape and outline as the main point of focus. A silhouette balances what the viewer sees alongside the darker toned facets of the subject that are intentionally kept hidden from the light.

Silhouettes are a great way to tell a story while leaving it up to the imagination of the viewer – there aren’t visible features to express emotion, so your viewer will fill in details depending on the context of the image – use this to direct your viewer’s line of thinking.

Waiting for the rain to stop

This is a lesson in exposure, composition and creativity all coming together. While silhouettes are outline.. Portraits, Still Life, Architecture and Nature typically make for good silhouette genres.

Silhouettes can often convey some kind of mystic story. By leaving the details in the dark, the story becomes compelling and the viewer is more engaged with the picture.

A boy and a fox

I was nearly ready to cheat, until my youngest grandson said he would let me take a photo of him. It was a rainy day and he sat by the window with a cuddly fox. Here was my opportunity to capture a silhouette

Alone

Summer days

The summer weather can be unpredictable, we are now under low pressure and have had sunshine and rain showers. We have spent this week at the country side. So my photos are this time naturally from here.

Field new our summer house
Clouds over the fields
View from the sauna patio
104 year old log sauna

52 Frames: Week 28: Silhouette!!

Photography is drawing with light and this week’s Silhouette challenge firmly shows us that. A silhouette is about bringing together contrasts of a well-lit background against a dark subject, making the subject’s shape and outline as the main point of focus. A silhouette balances what the viewer sees alongside the darker toned facets of the subject that are intentionally kept hidden from the light.

People waiting for sunset in Crete

Silhouettes are a great way to tell a story while leaving it up to the imagination of the viewer – there aren’t visible features to express emotion, so your viewer will fill in details depending on the context of the image – use this to direct your viewer’s line of thinking.

waiting for the sunset

This is a lesson in exposure, composition and creativity all coming together. While silhouettes are commonly shot in the day and at golden / blue hours, you can absolutely shoot silhouettes at night too. This will work best when the object being shot is recognizable through their well-defined shape and outline.. Portraits, Still Life, Architecture and Nature typically make for good silhouette genres.

Silhouettes can often convey some kind of mystic story. By leaving the details in the dark, the story becomes compelling and the viewer is more engaged with the picture.

Sailing at sunset

I would have loved to use these shots I took at Crete as they would have suited this challenge perfectly, but no, still I think they are great examples of silhouette! But I will have to come up with something new for the challenge or I could cheat… no, I won’t do that.

Waiting
Palm trees at sunset

TIPS:

  • Background Choice: Very often, we blur out the background and pay less attention to it. Here, pay a little extra attention to your choice of background. Make it contrast with the shape of your main subject.
  • Narrow Aperture: Shoot with a relatively narrow aperture of f/8 or higher to reduce the amount of light falling on your sensor, getting great Depth Of Field and also reducing chromatic aberrations especially if you’re shooting into the light.
  • Metering: We want to “trick” our camera into intentionally under-exposing the subject. So use spot metering or expose for the background.
  • Post-processing: Use software wisely – in post processing, it’s generally helpful to boost the contrast in your image, add more saturation, and increase the blacks slightly to improve a silhouette shot.

Traveling Crete #9

Some atmosphere photos from Chania and buildings at the Venetian harbor. The first set I took with my mobile and the other with my camera where I was able to adjust the settings and zoom better and was able to get more moody shots.

52 Frames: Week 27: Negative Space!!

 Less is more. This week’s Negative Space challenge is what those words are all about. Make your composition’s subject stand out by ensuring you eliminate clutter, distractions and sometimes even a background.

Peony in monochrome

Many minimalistic photography images have a great deal of negative space to isolate the subject. There are tons of genres and ideas that would make for very compelling shots – architecture, landscapes, portraits, food photography, abstracts and so much more. Think about the story or emotion you’d like to convey to your viewer and compose your shot after taking some time to think about it.

Daisy

We’re looking for clear, un-cluttered images where the space surrounding the main subject or idea enhances your shot by taking the viewer’s eye straight there. That little bit of extra space allows for breathing room and leaves no doubt as to what the main point of interest is.

Alone with bokeh

There’s magic in negative space, when used wisely, so think, breathe, shoot…

TIPS:

  • Zoom with your feet: Move around to get the best composition for your photo.
  • Different shooting angles: Because everything else is simplified in your frame, you have more license to “break” the rules of typical composition, for example where your subject is placed in the frame, or where they are looking.
  • Find your background first: Go on a hunt for a red brick wall, or a blue garage door, then place your subject in front of it.
  • Balance: Use the negative space to balance out the main subject. Don’t go overboard with the negative space, making it hard for the viewer to understand and absorb the main focus point of your shot.
  • Shoot wide open: That dreamy, creamy bokeh is a great way to simplify your subject’s background, and keep the frame more minimalistic.
Negative space with daisies

I would have loved to use some of the shots I took at Crete as they would have suited this challenge perfectly, but no, still I think they are great examples of negative space.

Traveling Crete #8

This post is all about the first sunset we saw in Chania at the Venetian harbour, it was so lovely that we later in the week came back for an other one. Well we came for dinner too and shopping, walking in the small alleys in old town. The first set I took with my mobile and the other with my camera where I was able to adjust the settings and zoom better and was able to get more moody shots.

Crete sunset a Venetian harbour.

OLYMPUS DIGITAL CAMERA

Traveling Crete #7

Our first visit to Chania it is a breathtaking city on the north-west coast of the island of Crete. The city is historically significant In the town of Chania, ancient Greek, Byzantine, Venetian, and Ottoman buildings coexist in the landscape of the city. We visited the Virgin Mary Metropolitan Church, on our way to the Venetian Harbour, “It is worth walking and watching, and at sunset you can get some really nice shot. Those I will share in the next post.

Traveling Crete #6

Papadiana is a lovely small village located 60 km south of Chania and close to the village of Sougia. With few inhabitants (population 14 as I found out as I googled the area) that deal mostly with agriculture, Papadiana has traditional architecture with stone houses and narrow streets.

It is surrounded by lush greenery and wild mountainsides. Most vegetation comprises of olive groves that give pure virgin oil, for which Crete is famous.

We drove through this small village and noticed a sign on the side of the road, Old mill, we took the turn and found this idyllic place at the end of this gravel road. When we saw the mill it it had a 1860 A.C. sign on it.,

flowing stream

Tree roots

52 Frames: Week 26: Pattern!

For many of us, seeing a Pattern comes quite naturally – after all, it’s just something being repeated in a pleasing way. That’s why so many of our creations use patterns – whether it’s the crimped crust of a pie or some beautiful inlay mosaic work on floor tiles – patterns and repetition of shapes stands out to us.

I had lots of ideas, but well I run out of time and took an easy way out, because patterns are everywhere, but to get an interesting shot of it, is an other thing altogether. I went with the fern this time as the shot of peaches and butterfly are not new and the challenge is to take a new photo every week. If I had had the energy I could have tried to capture similar shots again. Not this time 🙂

Maple leaves

Let the patterns to tell a story and that’s where the creativity comes in. Look for geometric and sharp angular patterns if you want to compose something using a pattern of shapes. You could also seek out patterns with colors. This challenge can overlap with other sub-genres like Repetition or Textures. Other genres like Abstract Photography or Architecture are also great ideas to find patterns.

Fern leaves

One final thought – Most, if not all, patterns have repetition. But not all repetition forms a pattern. Just think about that for a bit.

Extra Challenge: Found In Nature

The wings of a butterfly

Tips and Tutorials

TIPS:

  • Shooting Angle: Consider taking your shot at an unconventional angle – the human brain perceives patterns differently when shown in different perspectives.
  • Shape Patterns: Hunt for shapes and geometrical forms that draw the eye in. Use those to direct the viewer to where you want.
  • Color Patterns: In a world of color, look for collections and bunches of distinct colors that are recognizable.
  • Go Wide: A wider field of view may help get more subtle patterns to be more noticeable.
  • Make Your Own: Using a prism or reflective surfaces can make for some amazing portraits.
  • Break The Pattern: Try and create a contrasting point of interest by breaking the pattern and having an object of focus in the midst of your composition.

Peach