
Posted for Leanne’s Monochrome Madness

Posted for Leanne’s Monochrome Madness
I took my lead from Leanne Monochrome Madness; I am showing photos from the Australian coastline, which are truly breathtaking and capture the essence of this stunning region. I stayed with my cousin at Casey’s Beach in NSW last February. Thanks to her hospitality we were able to stay in this beautiful place for a couple of weeks.
Casey’s Beach is a calm and east-facing beach located in Batehaven. Snapper Island can be seen from her house from a slightly different angle than these shots, adding a unique charm to the picturesque view. We drove to the Observation Point, located at the northern end of Casey’s Beach , this lookout provides elevated views over the 1 km stretch of beach, perfect for a great vantage point in both directions, allowing us to soak in the beauty of the coastline as the waves gently lapped at the shore. I have even painted it at one point, and it now hangs in her house, So I have been inspired by it before, and I hope to return again to experience its magic all over.





I am sharing scenes from five countries for this theme The Space Between.
I am starting with doors leading to boathouses and a view through an archway of a partially collapsed brick structure reveal a jagged brick wall in Finland.



A view framed through a heart-shaped opening captures the essence of urban life showcasing the bustling street life, a man selling ice cream and a riverboat in India.



Additionally, I have an image of a wooden bridge and a picturesque road framed by trees from Australia.


A charming waterfront image features boats between a street lamp and a street adorned with historic buildings from France, and a last-minute addition from Italy shows a man reading at an open window.



I really want to showcase images that catch that sweet spot in between, using black and white photography to highlight intricate designs and the beauty of nature, showing off the contrast and richness of life in different places. I hope the variety of scenes gives you a taste of the amazing cultural and environmental vibes out there!
Leanne’s Monochrome Madness #49: The Space Between and Guest host Stupidity Hole: The Space Between

In the absence of a theme for Monochrome Madness, I experimented with one image in three versions, focusing on varying lighting and contrast to bring out different moods and emotions in the monochrome portrayal. The main subject of the monochrome portrait is a young girl who appears immersed in deep contemplation, portrayed in a serene natural setting as she thoughtfully gazes downward, which beautifully highlights her profound connection with the environment around her.

This reflective posture suggests an internal narrative, inviting viewers to interpret her thoughts and feelings, yet it does raise questions about what is truly occurring in the moment. What the photograph suggests may evoke feelings of curiosity and tranquility, but it is a juxtaposition to the reality that, in truth, she was looking at her phone, texting friends, I assume, as many young people often do in their daily lives.

This detail presents an interesting contrast between the serene aesthetic of the image and the typical distractions of modern life. I took this photograph last summer, that is obvious by her clothing, which indicates warmth and leisure, making it clear that it is not a recent one. The sunlight filtering through the leaves further adds to the nostalgic quality of the piece, linking the past moments of carefree summer to the present.

I posted photos on November 7, showcasing the beautiful carnations that I had carefully bought, and yesterday I took these images of the flowers still left, vibrant and resilient. They have proved to give me a little bit of everyday happiness for nearly three weeks, brightening my space and lifting my spirits amidst the usual routine. The simple joys in life, allowing me to pause and appreciate their beauty, as they subtly transform each day.
I did lots of edits so I could get all these challenges into one post; my internet connection is acting up, and it kept breaking up constantly yesterday. I made comments, but they did not show up for me as done, etc. It has cut me off a few times already, so after this post, I am going to paint for the rest of the day. This is too frustrating for me. Wishing everyone a great day.
Oh to continue about frustrations, I learned this morning that out water would be got of for a day, hopefully less. But I found this out after the fact. Great start for the day, no coffee for me,
NovemberShadows and How to Survive November , also Monochrome Madness last but not least The Flower Hour #8 as all the photos are of flowers 😀







This is one of my favorite challenges as I love black and white photography; it captures the essence of the topic in many cases, allowing viewers to focus on shape, texture, and emotion without the distraction of color. The interplay of light and shadow transforms ordinary scenes into dramatic compositions that tell a story. I am still returning to the burned down barn for this week’s Monochrome Madness and NovemberShadows, as it evokes images in my mind that nurtures my creative vision. Each revisit to the photos reveals new angles and perspectives as how to edit and capture its haunting presence, inviting me to experiment and refine my technique while deeply connecting with the subject matter.

Here in these two sets of images and different frames, I’m checking out how the crop’s aspect ratio changes these images. It’s pretty interesting to think about whether cropping a photo to a square actually adds something to the mood compared to keeping it in its original rectangular shape weather it is landscape or portrait. This change can really shift the focus, often guiding the viewer’s eye to specific details more easily. But you’ve also got to wonder if this tighter framing means losing some important context or details, which could totally alter the story the photo tells. Cropping can either amp up the emotional punch or totally take it down a notch, so it’s definitely a key choice in the editing process that we need to think about.
I have to admit these are more black and white photographs than monochrome, but the rules are not too tight in these challenges.



This week, guest host Margaret also presents her take on the theme in her post, Clocks and Timepieces. and Leanne post is here Monochrome Madness
I was certain I wouldn’t stumble upon any clocks, yet how mistaken I was! My journey in search of clock’s began with a trip back to Riga, Latvia, where I recalled taking pictures of some remarkable timepieces and I was not wrong. After that, I made my way to Mustio Manor in Finland, which I recalled had an impressive collection of golden clocks with lots of details. I also discovered a few exquisite clocks at the Craigdarroch Castle Museum at Victoria Island, but I just posted one. These old house museums are fantastic venues that showcase some incredible clocks. In the end, I decided to set aside the vintage timepieces and conclude my collection with a row of more modern clocks from the bustling Flinder Street Station in Australia.

More timekeepers in from Riga below




So many more from Mustio Manor the gallery below







Today, I’m merging two challenges in a single post. I hope this is suitable for both of you wonderful hosts who continually inspire us with fresh ideas and motivate us in our photography: Leanne’s Monochrome Madness and Becky’s November Shadows.

This image is ideal for this post, effectively highlighting its shadows, striking contrast, and the textured richness of the bricks that delivers a compelling visual effect. The contrast between light and dark accentuates the fine details of the worn corner, revealing depth and dimensionality that’s frequently missed in more straightforward images.


Some cool farm animals in black-and-white settings tell a vivid story that shows what rural life is all about. You’ve got a cow chilling out in a sunny meadow, horses munching on some fresh grass, and sheep casually grazing in a big field. There’s even a sleepy calf all snuggled up on the ground. Plus, close-ups of a hen hanging out, an ostrich looking all curious, and a gorgeous Highland cow with its fluffy fur make for some pretty awesome portraits. Together, these images highlight the beauty of farm animals just being themselves, inviting us to soak in the peaceful vibe of country living.








Leanne’s Monochrome Madness #46
Elke’s Monochrome Madness $46: Farm Animals
For this week’s Monochrome Madness

First time I saw this, my first thought was I have nothing to share on this topic.
I did try to find a neutral spot to take a shoe shot, considering various backgrounds and environments that might complement the shapes and textures of the shoe. I could have used more time on creativity, as I could have explored different lighting or settings to really make the shoes pop visually. However, with the next two images, I just got lazy and took the shots in the cupboard where I keep jugs and bowls, simply because it was the most convenient option. The ease of just snapping photos in the cupboard won out over my original intentions.
So first thing this morning I took these images, the ceramic shoe by artist Kipa Kirsi (2013) is a gift from a dear friend.





And these Heluna Cow jugs, the bigger one was my grandmother’s, and during our trip, we found the smaller cow jug in Canberra. We thought it was funny that someone had taken the trouble to bring it all this way, and now we are returning it back to Finland. They are Vintage Arabia, a milk pitcher pottery by Kaj Frank from 1950.

The bowl with the sea decoration is also Arabia; my husband rescued it from his father’s barn. I think it is really pretty; the colors are white and blue. It’s called Sampo. Based on the seal at the bottom of the bowl, the manufacturing date is from 1928-1932.

Then I remembered that I had these ceramic shots I took on Vancouver Island from the Craigdarroch Castle Museum, that showcases the grandeur of the Victorian era. It is the quintessential Victoria, BC experience, giving visitors a glimpse of privileged life in the 1890s, complete with exquisite furnishings, beautifully landscaped gardens, and a rich history that reflects the lifestyles of the wealthy elite of that time.




Fort Aguada is a fortress built by the Portuguese, located south of Candolim Beach in Goa. The fortress was constructed in the 17th century to protect Portuguese ships and defend the area against Dutch and Maratha attacks. The fortress’s lighthouse is one of the oldest in Asia, built in 1864. Today, the fortress is a popular tourist destination, and I visited in 2019
I have had some health issues that has kept me from being very active with my posts and well mostly with comments. I apologize. This was Sarah’s theme last week and I never got to edit my photos for it then, better late…




For Leanne’s Monochrome Madness
Ropes that bind and secure ; they provide strength, reliability, and versatility, those we need in our everyday life.



for Monochrome Madness and Tuesday Textures
How to describe images of misty landscapes in monochrome, that was my question to myself, this is what I ended up writing . The ethereal quality of a misty landscape can be nicely illustrated in monochrome, where shades of gray evoke a sense of mystery.. The soft blur of the mist envelops trees and fields, creating an almost dreamlike atmosphere. This lack of color draws attention to light and contrasts; the stark silhouettes of branches, almost as if they are attempting to pierce the blanket of fog. The interplay of light and shadow adds depth, revealing the contours of the terrain while preserving an enchanting ambiguity.



Leanne’s Monochrome Madness
This week promises to be delightful as Elke from pictures imperfect blog has chosen to focus on PETS in monochrome.

And I am always happy to share photos of Tinka. She is a funny little cat with her own ways, but still, you can tell that she likes us, and we really like her. She comes and spends time with us in the living room, sleeping on her own chair or on the ottoman, but to come on the sofa to be petted is something she will not do. Instead, she prefers to stretch out on the rug, then waits patiently to be petted as if she’s subtly hinting at her desire for affection. When l lay on the bed, note i have to be under the duvet, then she will place herself in the nook of your arm on your side and happily purrs whenever she gets all the attention. This does with me often at nights; it’s become a comforting routine. I oftentimes have trouble falling asleep for various reasons—thoughts racing through my mind or tor just discomfort or pain. During these moments, I often find myself waking up throughout the night. Yet, when Tinka comes to me, curling up in that perfect little spot and purring softly, she truly calms me down. I focus entirely on her soothing purrs, and I pet her in a calm way, feeling a sense of tranquility wash over me as I find solace in her presence.






I took these yesterday with my IPHONE so I would have new photos to share, I could have converted many older photos of Tinka and Veikka, but as I do need to find inspiration for new photos, this was a good and pleasant opportunity to do so.

Leanne’s Monochrome Madness #41: Movement was a bit of a head-scratcher for me at first. I found myself pondering what movement actually meant and how on earth I could represent it in my photos. The sea and waves seemed like the obvious choices, but honestly, can water really convey that captivating essence of motion? As I mulled over this theme, I came across a few other ideas, like birds soaring and kids playing around, but I can’t shake the feeling that I’m not quite capturing movement as I should. I’m left wondering if experimenting with different techniques and angles will even make a difference in truly conveying that feeling of motion in my shots.






We visited this museum during our vacation, and I for some reason got inspired to do three monochrome / BW versions of a this photo of a man learning about this piece of art.
I will start with also a color version of the photo compared to the monochrome one if a portrait composition.


This small but immeasurably valuable oil painting is a study of the properties of light and shadow. Monet painted a whole series of haystack motifs in the changing weather conditions of the Normandy countryside.

A significant art discovery has been made at the Serlachius Museum in Mänttä. The painting “Heinäsuova ilta-auringossa” (Meadow Meadow in the Evening Sun), which is part of the museum’s collection, has been revealed to be the work of Claude Monet (1840-1926), a key painter of the Impressionist art movement.
The painting lacks a visible signature, but the University of Jyväskylä’s hyperspectral camera detected Monet’s name and the year 1891 beneath the paint. Analyses of the pigment and fabric confirm it is by Claude Monet. The Serlachius Museum has had it since the 1950s, assuming it could be by Monet. Its authenticity was confirmed in 2015, thanks to advancements in technology. The work was purchased in London through an art dealer from Mänttä and is believed to have been shown at the Impressionist exhibition at the Grafton Gallery in London in 1905.
I put together these different versions for Leanne’s Monochrome Madness project as a fun way to dive into artistic expression. The whole idea was to check out how the mood and meaning of the photo shift with different edits. I found myself thinking about what the image is really about—is it the painting itself, the man who’s learning about it, or maybe even the overall space where both the art and the observer exist? My idea was to show just how complex art can be and how it hits people in different ways based on their own experiences and perspectives.



The captions were created with AI – all slightly different… because of the light and contrast?
I was first a bit lost with this challenge; it’s not that I don’t enjoy taking backlit photos—quite the opposite, in fact. I find it a great way to capture atmosphere and mood, as there’s something inherently magical about the way light interacts with the subjects. However, I also recognize that no sunsets or sunrises should be featured if I’m not shooting directly towards the light source. This has prompted me to explore different angles and perspectives, allowing the light to create a sense of depth and intrigue in my images. Additionally, I made a conscious effort to avoid overly simplistic silhouette images, as I wanted my photographs to embody a more complex layering of shades and nuances of light. Each shot became an opportunity to experiment with subtle gradients and textures, enriching the overall visual narrative that I aimed to convey through my work. Hope you fell I succeeded in my effort.
For Monochrome Madness this week, Brian Bushboy has set a challenge – Backlighting.
My first is a side portrait of my grandsone sitting in front of a window.






For Leanne’s Monochrome Madness
This week I have thought about my learning curve, and one of the most interesting aspects is monochrome adjustments. I have come a long way from the first attempts .

I posted these in color in a previous post few days ago. This how they look in monochrome.



Margaret is hosting Leanne’s Monochrome Madness this week. She thought it would be fun to explore those shots which, by accident, design, or clever editing, are monochrome in any colour but black and white. Let’s go…
Here I am going… I once again looked up the definition; photograph or picture developed or executed in black and white or in varying tones of only one colour.
My photo choices capturing varying shades of a single color, including green oak leaves, purple lilac flowers, and blue ocean scenes, exemplifying the concept through various serene landscapes.



Here are some monochrome edits, still not using black and white





Leannes Monochrome Madness #38
Guest host Sarah’s Monochrome Madness: Starting with an H

I was softly observing Tinka grooming itself, a tender and instinctual behavior that truly resonates with the essence of what it means to be a cat. It fills my heart with warmth to realize that they invest so much of their day in maintaining their cleanliness and fur; this ritual is much more than a matter of hygiene—it offers them comfort and a profound connection to their environment. Cats are wonderfully clean animals, and in that quiet moment of watching Tinka, I felt a deep wave of appreciation for these simple acts that beautifully reflect the innate grace and tranquility these cherished companions bring into our lives. For Leanne’s Monochrome Madness.




Modes of Transport is an exciting topic that presents endless possibilities! I must commend our host Dawn from The Day After. for an idea with lots of possibilities. The world is filled with remarkable ways to travel, the ones I chose are some of the obvious ones! To keep things clear and focused, here are a few that stood out to me.
I have taken few shots of trams 😀









Few that travel by waters








Transport with two wheels






That’s all folks, I give you monochrome ( black and white) images of cows for Leanne’s Monochrome Madness. Hope you enjoy them.





This week, our host Elke from pictures imperfect blog has presented a fascinating theme focusing on our colour images that are NATURALLY MONOCHROME. This refers, as I understand it, to images that appear devoid of color, resembling black and white photographs without any conversions applied.

It’s almost impossible to find photos that show no color. Winter offers most opportunities to capture natural monochrome images





These I found, hopefully they work for this prompt.
Same place, two strikingly different compositions of this narrow lane, and you find yourself captivated by entirely new aspects. Do you feel the same? The other image irresistibly draws your gaze towards the windows and shutters, despite offering a wealth of intricate details beyond its landscape counterpart. The interplay of light and shadow weaves a dynamic tapestry that elevates the textures of the buildings. Each detail enlightened, allowing us to revel in the artistry of the architecture. Above all, I love the contrast and the play of light here—the very essence of monochrome and black and white photography. It accentuates shapes and forms, urging us to dive deeper into the image, as the absence of color beautifully challenges us to discover elegance in both simplicity and complexity.


Taken in Villefranche sur Mer